Sullivan’s predictable plotting, overdrawn characters and overwrought dialogue and description make it hard to take his plot...

TRIPLE CROSS

Snow and clichés pile up in the latest from Sullivan (The Serpent’s Kiss, 2003, etc.).

A helicopter lurches through cross winds as a blizzard bears down on the mountains of Montana on New Year’s Eve. On board, the general of the Third Position Army (“[A] pit-bullish man with a glare like an axe falling”) readies his followers for an attack on the Jefferson Club, an exclusive resort. Their target: the seven richest men in the world, who gather with a Grand Hotel cast, stereotypes all. There’s Albert Crockett, “the infamous corporate raider,” Sir Lawrence Treadwell, a British tycoon who enters sniffing a cigar, and Horatio Burns, who brought himself up from poverty and orphanhood to own and run the hotel. Then there’s “Mickey” Hennessy, the man’s man who heads security. Recovering from divorce and substance abuse, Hennessy, his teenage triplets in tow for a holiday break, faces a lonely new year. The army lands, takes over swiftly, impervious to cries for mercy. “We couldn’t care less, you corrupt, gluttonous bastard of a whore,” the general sneers at one victim. The richest seven, it appears, face trial and punishment for their crimes against civilization. But Hennessy escapes the hotel, joining forces with local police and then with the FBI, whose number happens to include Cheyenne O’Neil, a “tough babe” Mickey finds attractive. Back at the hotel, the trials ensue, played out on the Internet and affording viewers the opportunity to determine guilt or innocence. Votes of guilty avalanche the defendants, who are taken out to be burned, drowned or sent running through the frigid night wearing only underwear. Left behind, the triplets embark on a Spielbergean adventure, defending themselves with rifles that shoot paint balls and hiding out in secret passages. Desperate to save his kids and the guests, Hennessy and a 50-horse brigade ride to their rescue.

Sullivan’s predictable plotting, overdrawn characters and overwrought dialogue and description make it hard to take his plot seriously.

Pub Date: April 16, 2009

ISBN: 978-0-312-37850-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 1, 2009

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Brown’s ear for Texas dialect and her earnest characterizations of cynical lawmen with stout hearts make for an enjoyable...

TOUGH CUSTOMER

A manhunt for a homicidal stalker reunites an ex-cop and his long-lost daughter, in Brown’s latest thriller (Rainwater, 2009).

Private eye Dodge Hanley, who left the Houston police for Atlanta years before, is summoned back to Texas by his long-ago flame Caroline King, now a successful realtor. Caroline wants Dodge, who once rescued her from an abusive fiancé, to lend his sleuthing skills to find Oren Starks, the man who burst in on her daughter Berry and Berry’s co-worker Ben at Caroline’s lake house near the small town of Merritt. Shooting and wounding Ben, Oren fled, but not before vowing to murder Berry. A dismissed co-worker at the Houston marketing firm where Berry and Ben work, Oren was unhinged by his thwarted efforts to woo Berry and another colleague, Sally Buckland. Dodge (who, unbeknownst to Berry, is her father) and local deputy Ski Nyland join forces to track Oren down. Ski’s call to Sally finds her strangely reluctant to corroborate her previous claim of sexual harassment against Oren, perhaps because Oren has a gun to her head during the call. Despite a leg injury sustained at Caroline’s house, Oren confounds pursuers by somehow managing to be in several places at once. He breaks into a Merritt motel room, fatally wounding a teenager who surprises him there. Sally’s body is found hanging in the closet of Berry’s Houston home. Oren takes an elderly couple hostage in a campground, and kills again before disappearing into the Big Thicket, a treacherous, swampy national park. Brown’s trademark romance spiced with raunch serves her well as she orchestrates two parallel lust stories: Caroline’s and Dodge’s passionate but brief encounter in 1978, and the present frisson between Berry and Dodge’s younger doppelgänger, hard-boiled cop Ski. The narrative, slowed by too many talky scenes and descriptive filler, eventually rewards readers’ patience with a bang-up surprise ending. 

Brown’s ear for Texas dialect and her earnest characterizations of cynical lawmen with stout hearts make for an enjoyable summer read.

Pub Date: Aug. 12, 2010

ISBN: 978-1-4165-6310-5

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: June 22, 2010

Kirkus Reviews Issue: July 15, 2010

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