An unhurried tale that makes its enthralling characters the biggest mystery of all.
A small-town journalist digs into an old assault case, in which the mayor’s improper conduct may prove detrimental to her gubernatorial run, in this third installment of a series.
Reporter/editor Nathan Hawke may have something juicy for the Weekly Clarion, the Vermont newspaper he manages. An anonymous caller tells him that nine years ago Mayor Martha Bennett convinced two witnesses not to testify against an assailant in custody. The attacker was (allegedly) Garth Egan, whom cops recently arrested for rape and murder. As the source won’t even tell Nathan the victim’s name from the older case, the reporter turns to Egan’s defense lawyer back then: the journalist’s now-retired father, Jonas. But Jonas maintains his vow of confidentiality, which includes not disclosing the identities of the victim or her brother, the witness who stopped the attack. Nathan wants something more substantial before confronting Bennett, whose bid for governor and the upcoming election will likely keep her mum. As Nathan searches for the siblings, Jonas’ uncertainty over helping his son is compounded by the fact that an attorney from his old firm is representing Egan in the murder trial. Nathan knows his potential story could affect the election’s outcome—and also hurt a few people along the way. Though a reporter investigating political deceit has all the makings of a mystery, Willen (Hawke’s Return, 2017, etc.) zeros in on the characters. Melodrama reigns: Jonas and his friend Mary Louise, a live-in cook/former prostitute, care for young Max while the boy’s father, Dylan Walker, works as Bennett’s press secretary. Relationships are complicated and some characters are flawed; Jonas, who lost his wife and a son, has battled alcoholism. But even if Nathan’s investigation spawns few surprises, characters traverse a dense and intriguing morally gray area. Nathan, for example, tries changing the mind of someone who doesn’t want the case dredged up again. Nevertheless, characters sharing so many qualities results in some redundancies: pregnancies, widowers whose wives succumbed to cancer, and quite a number of extramarital affairs.
An unhurried tale that makes its enthralling characters the biggest mystery of all.Pub Date: Sept. 5, 2018
ISBN: 978-1-68313-162-5
Page Count: 310
Publisher: Pen-L Publishing
Review Posted Online: June 1, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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