Next book

THE PROFITEER

WAR WITH IRAN

Not an entirely successful mission, but one that may interest avid armchair warriors.

A fierce battle between Iranian mujahideen fighters and a U.S. military convoy sets the stage for Williams’ debut conspiracy thriller.

Steve Holmes is a former FBI agent and current executive for Kratos, a U.S. Department of Defense contractor named after the winged enforcer for the Greek god Zeus. After a firefight in Iran results in the deaths of 35 American soldiers on his watch, Holmes has questions: Where was the intel? Why didn’t they receive communications from anyone outside the convoy? He knows three things. First: “Our people died for no good reason today.” Second: “Something or someone caused that FUBAR mess.” And third: “I’ll find out who or what…if it’s the last thing I do.” Holmes’ investigation soon puts him at odds with his abusive, ethically challenged boss, who directs him to forge relationships with unreliable Middle Eastern partners, saying that “We can make billions.” But his main nemesis is Alex Shankle, a pro-war U.S. senator with an increasingly suspect agenda. Holmes finds an ally in FBI Special Agent Sherry Adkison, who’s every bit as stalwart as he is. They make a solid team, keeping their heads in a conspiracy plot that becomes increasingly unhinged. Williams, who has extensive experience working for military contractors, is on more solid ground writing about that industry’s workings. His profound respect for members of the military is palpable, as is his frustration with a system that sometimes fails to honor their hard work and sacrifice. At one point, for instance, he points out that injured and deceased contractors are denied the Purple Heart. A couple of key character arcs are anticlimactic, though, and Williams sometimes includes odd, gratuitous details (such as that Sen. Shankle enjoys “pancakes with real maple syrup and smoked sausage” during a meeting with his colleagues). The dialogue also tends toward B movie clichés (“The whole world will call me ‘Mr. President’ one day”). 

Not an entirely successful mission, but one that may interest avid armchair warriors. 

Pub Date: May 24, 2015

ISBN: 978-0-692-42220-5

Page Count: 344

Publisher: CreateSpace

Review Posted Online: Feb. 7, 2017

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview