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EVENING NEWS

Swick’s fourth book and second novel (following last year’s Paper Wings) is an engrossing domestic melodrama carved from the same vein mined so successfully by writers like Sue Miller and Jane Hamilton. Things begin explosively, with the accidental shooting of two-year-old Trina by her nine-year-old half-brother Teddy. Trina dies, and the story of that loss’s effect on her survivers is told in the juxtaposed narratives of guilt-ridden Teddy and the children’s stricken mother Giselle. We learn that Giselle had divorced Teddy’s father Ed and fled Nebraska for southern California, where she found a fulfilling intellectual life and, eventually, marriage to her adult ed English teacher Dan Trias. The likable Giselle laboriously pulls herself through the twin ordeals of losing a child and managing not to blame Teddy (who is all but destroyed), but Dan, a much less generously realized character, cannot as well as she does. The resulting tension between the two of them drive Dan briefly away—and (in a just barely credible plot development) to the writing of a book about their loss—while Giselle (vacillating between anger and pain, between fantasies of revenge and reconciliation”) goes back to Nebraska, where Teddy, visiting his father, has preceded her, to try to pull herself together again. Swick occasionally miscalculates (Dan’s emotional confusion effectively obliterates any clear definition of his character), but she touches us by demonstrating how the Triases— efforts to resume a “normal” life are repeatedly, inevitably thwarted, and she delineates with moving restraint the progress Giselle and Ed make toward a truce. Best is her characterization of Teddy: a brave, bright, sentient kid who painstakingly learns to accept responsibility for his act, grow beyond it, and shape his future accordingly (“Now I want to learn what it feels like to save a life”). Overlong, and its insights into the psychology of grief and guilt are unexceptional. But the voice and spirit of that little boy will stay with you. (First printing of 100,000)

Pub Date: Feb. 1, 1999

ISBN: 0-316-82533-6

Page Count: 368

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1998

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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ELEANOR OLIPHANT IS COMPLETELY FINE

Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.

A very funny novel about the survivor of a childhood trauma.

At 29, Eleanor Oliphant has built an utterly solitary life that almost works. During the week, she toils in an office—don’t inquire further; in almost eight years no one has—and from Friday to Monday she makes the time go by with pizza and booze. Enlivening this spare existence is a constant inner monologue that is cranky, hilarious, deadpan, and irresistible. Eleanor Oliphant has something to say about everything. Riding the train, she comments on the automated announcements: “I wondered at whom these pearls of wisdom were aimed; some passing extraterrestrial, perhaps, or a yak herder from Ulan Bator who had trekked across the steppes, sailed the North Sea, and found himself on the Glasgow-Edinburgh service with literally no prior experience of mechanized transport to call upon.” Eleanor herself might as well be from Ulan Bator—she’s never had a manicure or a haircut, worn high heels, had anyone visit her apartment, or even had a friend. After a mysterious event in her childhood that left half her face badly scarred, she was raised in foster care, spent her college years in an abusive relationship, and is now, as the title states, perfectly fine. Her extreme social awkwardness has made her the butt of nasty jokes among her colleagues, which don’t seem to bother her much, though one notices she is stockpiling painkillers and becoming increasingly obsessed with an unrealistic crush on a local musician. Eleanor’s life begins to change when Raymond, a goofy guy from the IT department, takes her for a potential friend, not a freak of nature. As if he were luring a feral animal from its hiding place with a bit of cheese, he gradually brings Eleanor out of her shell. Then it turns out that shell was serving a purpose.

Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.

Pub Date: May 9, 2017

ISBN: 978-0-7352-2068-3

Page Count: 336

Publisher: Pamela Dorman/Viking

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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