by Marsha Forchuk Skrypuch with Tuan Ho ; illustrated by Brian Deines ‧ RELEASE DATE: Nov. 1, 2016
An adequate introduction to the Vietnamese refugee journey for young readers (Picture book. 7-10)
A young Vietnamese boy and his family flee Vietnam in search of a better life.
Along with co-author Skrypuch, Vietnamese-Canadian Ho recounts his family’s flight from Vietnam in 1981. At the book’s outset, 6-year-old Ho returns home from school to learn that he, his mother, and his two older sisters will leave Vietnam that very night. Each hour of the Ho family’s flight is fraught with danger. Soldiers shoot at them on the beach when they make a run toward a skiff. Their boat springs a leak, and soon after, the motor dies, leaving 60 passengers adrift in the middle of the sea with little water and food. Throughout the harrowing passage, Ho’s mother is by his side, comforting him. On the sixth day of their four-day journey, an American aircraft carrier spots their boat and offers the Vietnamese passengers refuge. Skrypuch and Ho’s retelling focuses mostly on actions and events with scant attention to the 6-year-old boy’s emotional state. The primary narrative provides little context for readers who are unfamiliar with the Vietnamese refugee crisis, but detailed authors’ notes include history, photographs, and maps. The warm undertones in Deines’ oil paintings evoke tropical Vietnam. However, his soft, slightly out-of-focus images give Ho’s story a dreamlike feel that dampens the danger recounted within the text, according readers a luxury not afforded to Ho and the legions of other refugee children suffering through crisis, then and now.
An adequate introduction to the Vietnamese refugee journey for young readers (Picture book. 7-10)Pub Date: Nov. 1, 2016
ISBN: 978-1-77278-005-5
Page Count: 40
Publisher: Pajama Press
Review Posted Online: Aug. 29, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Tomie dePaola ‧ RELEASE DATE: April 1, 1999
The legions of fans who over the years have enjoyed dePaola’s autobiographical picture books will welcome this longer gathering of reminiscences. Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938. Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (“ ‘ When do we learn to read?’ I asked. ‘Oh, we don’t learn how to read in kindergarten. We learn to read next year, in first grade.’ ‘Fine,’ I said. ‘I’ll be back next year.’ And I walked right out of school.”), recalls holidays, and explains his indignation when the plot of Disney’s “Snow White” doesn’t match the story he knows. Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well. (Autobiography. 7-9)
Pub Date: April 1, 1999
ISBN: 0-399-23246-X
Page Count: 58
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1999
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by Alexandra Wallner & illustrated by Alexandra Wallner ‧ RELEASE DATE: March 15, 2001
Abigail Adams, wife and mother of American presidents, with a remarkable story of her own, gets a rather dull introduction to her life in Wallner's (Sergio and the Hurricane, 2000, etc.) picture-book biography. Wallner's text plods through Abigail's life, noting important dates and events, particularly the birth of all her children. Abigail supports her husband in his fight for independence at home, where she runs the family farm and manages the finances and her growing family. She also joins Adams in England when he is ambassador there. Later, she becomes the first president's wife to live in the White House. Abigail is shown as a strong woman, disappointed in her efforts to win a place for women and blacks in the new Constitution. Readers learn about Abigail's thoughts and personality as she matures from child to adult, from homemaker to public figure, but unfortunately we do not hear more than a few phrases in Abigail's own voice. Abigail, who is known through her many published letters, was a lively and interesting correspondent and little of that liveliness permeates this effort. The author's folkart-style illustrations depict a homely group of colonialists in pleasantly colorful detail. A timeline and bibliography would have been helpful to young researchers. This intelligent, early feminist and civil-rights advocate deserves better. (Biography. 8-10)
Pub Date: March 15, 2001
ISBN: 0-8234-1442-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2001
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