The tale of a forward air controller, or FAC, in the early days of the Vietnam War—from the author of the novel Cadillac Flight and A Lonely Kind of War. Major Sam Brooks is a fighter pilot, which should give him high status in the Air Force. Instead he's at the end of his career because of a brief affair with his commander's wife. The commander, a Colonel, has dogged Brooks and prevented promotions, despite the fact that Brooks is a fine pilot. Brooks comes to Vietnam with an attitude problem, and, sure enough, runs into his nemesis, who assigns him to a mucky, VC-infested outpost deep in the Mekong Delta, and who turns him into a FAC as well. A FAC guides jets into the target rather than piloting them himself; not only does this seem inglorious to Brooks, but it also seems as though his old enemy is trying to get him killed. Worse, Brooks is insubordinate to superior officers and impatient with garrison routines, so that's it's clear he brings most of his troubles on himself. There are compensations: a pretty civilian trying to introduce miracle rice to the Vietnamese, and the fact that Brooks begins to like flying the little Cessnas. Brooks is an attractive character: a lonely man, not truly a tough guy, and shy around women; his inadequacies for ground combat provide comic relief. But where Harrison, a former FAC pilot himself, shines is in his gripping descriptions of combat flight. The detail is unimpeachable: every creak in the struts, every hard right to dodge .51 caliber fire- -even the grease-pencil mark on the windshield, there to aim the hand-fired rockets. No politics at all here: just men working their machines, and yet when Brooks swoops low and for an instant sees a burning VC, he feels horror at what he's done. Brooks's love affair with Lee is predictable, but he himself is likably troubled, and the air scenes are nothing short of stunning.
Pub Date: May 1, 1992
ISBN: 0-89141-436-3
Page Count: 320
Publisher: Presidio/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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