Strange, true, and exciting fiction about the early Jesus movement.
A novel offers a religious-political-erotic romp through first-century West Asia—and a primer on the story of Christian origins.
It is often assumed that Christianity was born with Jesus—and that the church emerged fully formed on that first Easter. Nothing could be further from the truth, and the first few centuries after Christ’s death played host to a fierce battle among competing interpretations of the Jesus movement. Motz’s (The Cosmic Lady Was Right, 2009) head-spinning tale is set smack dab in the middle of all this Sturm und Drang, and it follows the exploits of Marcellus, a kind of test case for the many flavors of early Christianity. He flirts with Mithraism in his youth, becomes initially attached to the proto-Roman Catholic Bishop Ignatius, but finds himself also drawn to the Gnostic sects flourishing at the time. If you don’t know what all these words mean, that’s fine: read Motz’s book, which is, among other things, a religious studies textbook masquerading as a sexy novel (“Marcellus is philosophizing again. It’s what every person in the world wants most: one gigantic mind-blowing orgasm, the ultimate thrill”). Suffice it to say that Marcellus’ story is both an engaging yarn and an alluring glimpse at what might have been had the wars over the meaning of Jesus turned out differently. From one angle, this book is historical fiction; the author strives to give life and color to the ancient world. But in doing so, he takes some license, and there are anachronisms and modernisms. These are intentional: Motz says he is seeking a “higher species of authenticity.” Readers should forgive the author such grandiloquence because his project largely succeeds. As for the religious studies aspect, Motz says that those who want to know more should “Google it, see for yourself.” Sure. But first read G.R.S. Mead. Then peruse Elaine Pagels, Marvin Meyer, and Karen King. Academic work on early Christianity is progressing at a dizzying pace, and perhaps the only flaw of Motz’s novel is that it doesn’t come with a bibliography.
Strange, true, and exciting fiction about the early Jesus movement.Pub Date: May 30, 2017
ISBN: 978-1-5212-8409-4
Page Count: 251
Publisher: CreateSpace
Review Posted Online: Nov. 24, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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