by Marshall Rowe , Jim Fitts and John Weeks ‧ RELEASE DATE: May 2, 2019
A thoughtful, informative guide to selling a business; reminds readers to weigh both the emotional and financial impacts.
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Three financial advisers discuss the opportunities and challenges that arise when selling a business.
In this debut business book, colleagues Rowe, Fitts, and Weeks guide readers through the process of selling a privately owned business and transitioning to the next phase of life. The guide asks readers to make the process a multiyear one, beginning to evaluate options and set expectations five or more years before the target sale date. While the book addresses the practical aspects of selling a business—communicating with employees, building a transition team, managing cash flow—much of it covers the emotional and psychological questions prospective sellers should consider: How will family members respond? Are you selling in order to retire or to pursue new interests? How do you stay happy and engaged when the business no longer demands your energy and attention? Excerpts from interviews with financial and legal professionals, as well as stories from the authors’ practice, illustrate the concepts presented here. The authors also discuss broader questions of intergenerational wealth transfers, and they urge readers to discuss financial realities and expectations with children and other family members who are likely to benefit from the sale. (This section is addressed primarily to readers with considerable wealth; the families used as examples are distributing millions of dollars to their children.) Each chapter concludes with a series of questions to guide the reader’s decision-making process. The guide is concise but informative, with useful recommendations and suggestions for further exploration, and the writing is unflashy and easily comprehensible. Readers are left with a significant number of actionable takeaways—in particular that selling a business is a long process involving self-knowledge and collaboration with many stakeholders and should be approached thoughtfully. Even readers whose businesses will not provide multimillion-dollar inheritances will find the book’s framework a useful tool for approaching transition planning for a business of any size.
A thoughtful, informative guide to selling a business; reminds readers to weigh both the emotional and financial impacts.Pub Date: May 2, 2019
ISBN: 978-1-5445-0214-4
Page Count: 182
Publisher: Lioncrest Publishing
Review Posted Online: June 4, 2019
Kirkus Reviews Issue: July 15, 2019
Review Program: Kirkus Indie
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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