Is the Yuletide well running dry? Only next year will tell.

Edwards, who must either really love or really hate Christmas, presents yet another collection of seasonal mysteries originally published between 1893 and 1963, half of them during the 1950s.

The most serious disappointment is Catharine Louisa Pirkis’ “The Black Bag Left on a Doorstep,” the historically important but uninspired introduction of detective Loveday Brooke, which Edwards has evidently chosen to make the other 11 reprints look good. And so they do. The highlights are stories by celebrity authors tweaking their usual formulas. G.K. Chesterton’s ceremonious “The Hole in the Wall” replaces Father Brown with the lesser-known Horne Fisher. The vanishing knife in Carter Dickson’s “Persons or Things Unknown” offers a precursor to the historical mysteries he would perfect as John Dickson Carr. And the normally suave Julian Symons’ “Father Christmas Comes to Orbins” is an elaborately plotted jewel robbery that goes elaborately wrong. For the rest, Roderick Alleyn solves the mystery of an unpleasant bully electrocuted by his radio in Ngaio Marsh’s “Death on the Air”; raffish Arthur Crook rescues a student nurse and her doctor fiance when their innocent actions land them in the clutches of a gang of murderous drug dealers in Anthony Gilbert’s overlong “Give Me a Ring”; the short-shorts by E.R. Punshon, Ernest Dudley, Victor Canning, Cyril Hare, and Margery Allingham provide virtuoso lessons in how much action and atmosphere can be packed into 10 pages; and Barry Perowne’s “The Turn-Again Bell,” in which a Christmas miracle saves both a stubbornly anti-religious father who’s refused to participate in his daughter’s wedding to the rector’s son and the rector in question, ends the volume on the most Christmassy note of all.

Is the Yuletide well running dry? Only next year will tell.

Pub Date: Oct. 12, 2021

ISBN: 978-1-4642-1481-3

Page Count: 272

Publisher: Poisoned Pen

Review Posted Online: July 9, 2021

Kirkus Reviews Issue: Aug. 1, 2021


Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020


This book and its author are cleverer than you and want you to know it.

In this mystery, the narrator constantly adds commentary on how the story is constructed.

In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.

This book and its author are cleverer than you and want you to know it.

Pub Date: Jan. 17, 2023

ISBN: 978-0-06-327902-5

Page Count: 384

Publisher: Mariner Books

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

Close Quickview