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ONE NIGHT WITH LILITH

A cleareyed and adeptly composed investigation of a marriage.

Awards & Accolades

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A devastating fire causes a couple in crisis to look back over their long marriage in Golan’s (Where Things Are When You Lose Them, 2008, etc.) literary novel.

Rob and Amy Lerner are sitting in their favorite restaurant deciding to get divorced while, a few blocks away, their house burns to the ground. The fire destroys Amy’s painting studio and all of her art; Rob’s home office and all the material related to his import business; and every object, photograph, and heirloom that they owned. The couple is left staring at the rubble of their lives “like the body of a loved one under a sheet. The house was like that, a lost loved one.” The two met many years earlier in New York City, where Amy, then named Geller, was a promising—if unconfident—artist, and Rob worked as a Yeshiva teacher to avoid a military draft. At the time, Rob identified Amy with Lilith—the first wife of Adam who wouldn’t submit to his dominion, who’s sometimes interpreted as a demon and stealer of children: “To Rob Lerner [Lilith] was simply the woman you will never tire of, never look at without lust, who will never lose her mystery, the woman who will make you whole.” The couple’s relationship was always combustive, however, and even after they marry, find financial success, and raise a son, Marco, the couple is haunted by events from their pasts—Amy’s brother Mickey’s death and the traumas of Rob’s Holocaust-survivor father, Sol. The novel reviews their rocky relationship and asks where, exactly, it all went wrong. Also, how did the fire, which punctuated their dissolution, start? And what does Rob’s identification of Amy with Lilith—whom Sol claims to have seen in a Polish orchard during the war—say about the couple? Golan’s prose is exact and insightful and full of lines that encapsulate the particular deficiencies of the Lerners’ marriage: “They had grown over the years to dislike each other with a passion that would have been admirable, perhaps breathtakingly beautiful, had it been love.” He constructs the characters of Rob and Amy in a deliberate manner and with great attention to detail. With incredible specificity, the author manages to present an affecting and recognizable portrait of coupledom, and as the storylines grow, their thorny lives become more deeply intertwined. Amy, in particular, is a fully imagined being—knowable when the reader takes her side and completely mysterious when the reader aligns with Rob. The Judaica in the story’s background lends it a slightly mystical mood, and it infuses the proceedings with a grim sense of inevitability. The book does drag in some places, and the reader may be forgiven for wanting to get back to the present-day plotline before realizing that the past is the main story. That said, Golan’s skillful and compelling character work is enough to keep the readers wondering, as Rob and Amy do, about the impossibility of happiness and the meaning of love.

A cleareyed and adeptly composed investigation of a marriage.

Pub Date: Nov. 13, 2019

ISBN: 978-1-951214-49-4

Page Count: 284

Publisher: Adelaide Books

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: March 1, 2020

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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