Vividly suggestive and filled with haunting images, though probably best appreciated by readers with a strong taste for the...
A missing persons case is merely the starting point for Scottish writer MacInnes’ mind-bending debut, which takes impersonation, infection, and simulation as its metaphors for the unstable nature of reality.
An unnamed police inspector is called out of retirement to investigate the disappearance of a man named Carlos from a family dinner at a restaurant in an unspecified city somewhere in Latin America. A series of early discoveries rapidly signals that things are not what they appear. The grieving mother the inspector thought he was interviewing turns out to be “employed by the mother to speak on her behalf.” The financial institution where Carlos worked—“in the process of a large and complex merger, leaving it for the moment without a name”—populates its office with pretend workers from a “performance agency” to make a good impression on prospective clients. “Trust me,” the agency’s director tells the inspector, “they appear much more convincing in the role of hard-working employees than such employees do themselves.” At first, it seems that all this play-acting screens a sinister mystery that could actually be solved: the corporation has been sued by activists claiming it has illegally occupied land belonging to indigenous peoples illegally resettled, and the inspector follows this trail into the country’s rain-forest interior. There, however, reality and the inspector come completely unglued—a development forecast by a chapter bluntly subtitled “Suspicions, Rumours, Links,” which offers multiple explanations for Carlos’ disappearance and many other puzzles while making it obvious that all explanations are provisional and suspect. MacInnes skillfully creates an atmosphere of lowering menace, aided by excerpts from an enigmatic anthropological text, Tribes of the Southern Interior, while deft satires of forensic analysis and ecotourism keep the tone from getting too misty. The inspector is the only person drawn with any depth, but characterization isn’t the point in a narrative that aims to unsettle and provoke.
Vividly suggestive and filled with haunting images, though probably best appreciated by readers with a strong taste for the avant-garde.Pub Date: Oct. 17, 2017
ISBN: 978-1-61219-685-5
Page Count: 272
Publisher: Melville House
Review Posted Online: Aug. 2, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Irritatingly trite woman-in-periler from lawyer-turned-novelist Baldacci. Moving away from the White House and the white-shoe Washington law firms of his previous bestsellers (Absolute Power, 1996; Total Control, 1997), Baldacci comes up with LuAnn Tyler, a spunky, impossibly beautiful, white-trash truck stop waitress with a no-good husband and a terminally cute infant daughter in tow. Some months after the birth of Lisa, LuAnn gets a phone call summoning her to a make-shift office in an unrented storefront of the local shopping mall. There, she gets a Faustian offer from a Mr. Jackson, a monomaniacal, cross-dressing manipulator who apparently knows the winning numbers in the national lottery before the numbers are drawn. It seems that LuAnn fits the media profile of what a lottery winner should be—poor, undereducated but proud—and if she's willing to buy the right ticket at the right time and transfer most of her winnings to Jackson, she'll be able to retire in luxury. Jackson fails to inform her, however, that if she refuses his offer, he'll have her killed. Before that can happen, as luck would have it, LuAnn barely escapes death when one of husband Duane's drug deals goes bad. She hops on a first-class Amtrak sleeper to Manhattan with a hired executioner in pursuit. But executioner Charlie, one of Jackson's paid handlers, can't help but hear wedding bells when he sees LuAnn cooing with her daughter. Alas, a winning $100- million lottery drawing complicates things. Jackson spirits LuAnn and Lisa away to Sweden, with Charlie in pursuit. Never fear. Not only will LuAnn escape a series of increasingly violent predicaments, but she'll also outwit Jackson, pay an enormous tax bill to the IRS, and have enough left over to honeymoon in Switzerland. Too preposterous to work as feminine wish-fulfillment, too formulaic to be suspenseful. (Book-of-the-Month Club main selection)
Pub Date: Dec. 2, 1997
ISBN: 0-446-52259-7
Page Count: 528
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
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