A fascinating, vivid look at what one shipwreck reveals about the realities of the “Golden Age of Piracy.” (maps, photos,...
Sandler tells the exciting true story of the only wrecked pirate ship ever found and the mysteries it revealed.
Commissioned in 1715 in London and christened the Whydah after the West African slave-trading kingdom of Ouidah, the vessel was a galley ship configured as a heavily armed trading and transport ship for the Atlantic slave trade. In February 1717, the Whydah was attacked by pirates under the command of “Black Sam” Bellamy, who made the vessel his flagship. Bellamy and his newly captured ship menaced the coastlines of Colonial America until it was wrecked two months after capture in a nor’easter along the shoals of Cape Cod. The treasure-laden wreck was found in 1984 by marine archaeologists, and Sandler explains that 30 years of expeditions have “resulted in the discovery and retrieval of thousands of artifacts that increase our knowledge of the Whydah’s history and dramatically alter our perception of pirates and their way of life.” Sandler offers an insightful look at how different the realities of pirate life were compared to how it has been mythologized in popular culture. Instead of finding eye patches, wooden legs, rum bottles, and parrot remains, archaeologists discovered artifacts such as medical syringes, surprising for “an age when medical knowledge and practice were primitive at best.”
A fascinating, vivid look at what one shipwreck reveals about the realities of the “Golden Age of Piracy.” (maps, photos, source notes, bibliography) (Nonfiction. 10-14)Pub Date: March 14, 2017
ISBN: 978-0-7636-8033-6
Page Count: 176
Publisher: Candlewick
Review Posted Online: Dec. 25, 2016
Kirkus Reviews Issue: Jan. 15, 2017
In this companion to Portraits of War: Civil War Photographers and Their Work (1998), Sullivan presents an album of the prominent ships and men who fought on both sides, matched to an engrossing account of the war's progress: at sea, on the Mississippi, and along the South's well-defended coastline. In his view, the issue never was in doubt, for though the Confederacy fought back with innovative ironclads, sleek blockade runners, well-armed commerce raiders, and sturdy fortifications, from the earliest stages the North was able to seal off, and then take, one major southern port after another. The photos, many of which were made from fragile glass plates whose survival seems near-miraculous, are drawn from private as well as public collections, and some have never been published before. There aren't any action shots, since mid-19th-century photography required very long exposure times, but the author compensates with contemporary prints, plus crisp battle accounts, lucid strategic overviews, and descriptions of the technological developments that, by war's end, gave this country a world-class navy. He also profiles the careers of Matthew Brady and several less well-known photographers, adding another level of interest to a multi-stranded survey. (source notes, index) (Nonfiction. 10-13)
Pub Date: March 1, 2001
ISBN: 0-7613-1553-5
Page Count: 80
Publisher: Twenty-First Century/Millbrook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
Debuting a new series, Krull presents a compelling argument that the great painter of the Renaissance was one of the West’s first real modern scientists. Into the stew of superstition that passed for scientific thought in medieval Europe was born Leonardo, illegitimate and therefore only very sketchily schooled, he grew up largely on his own, rambling around his family’s property and observing nature. The portrait that emerges is of a magpie mind: He studied and thought and wrote about very nearly everything. The breezy text draws heavily from Leonardo’s own writings, discussing his groundbreaking forays into anatomy, water management and flight, always propelled by a commitment to direct scientific observation. That Krull manages, in some 100-plus text pages, to present Leonardo’s scientific accomplishments while at the same time conveying a sense of the man himself—his probable homosexuality is presented frankly, as are his pacifism and the overriding opportunism that had him designing weapons of war for the Duke of Milan—is no mean feat and bodes well for the succeeding volumes in the series. (appendix, bibliography, Web sites, index) (Biography. 10-14)
Pub Date: July 1, 2005
ISBN: 0-670-05920-X
Page Count: 128
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
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