A rousing drama especially suitable for art lovers but unfortunately weighed down by convolution.
A group of friends tries to solve a mystery that revolves around rare art as a devastating hurricane approaches.
This debut mystery/thriller braids two intersecting plotlines. Dr. Charles Holzer, the president of the Watson School of Arts in North Carolina, has zealously pursued the illicit collection of a valuable storehouse of expensive art on the school’s dime over the last 15 years. His intention is to sell a modest portion of it on the black market for an immodest sum, more than enough to finance his retirement in Tuscany. He fires Dr. John Wilson, dean of the Fine Arts Department, to ensure his nefarious project remains undetected. Meanwhile, a group of friends gathers at Bunnie’s old-style Southern home—she’s a secretary at Watson. Sophie, a graduate art student, lives at Bunnie’s house as a boarder, and David, a self-employed piano tuner, often stops by to work on the piano there or to just seek company and a home-cooked meal. Dr. Marie Caldwell—Wilson’s replacement—and her young daughter Isabelle join the crew as well. Bunnie and Marie become increasingly suspicious of Charles, who frantically tasks them with the authentication of documents relevant to his art collection. As their interest piques, they start to conduct an investigation of their own. Meanwhile, a potentially destructive hurricane looms, and Bunnie’s friends help her to prepare the house for the worst, as well as for their eventual evacuation. All of them wrestle with complex, painful pasts: David is tortured by the memory of his ex-wife, who was an alcoholic and serially unfaithful. Marie is haunted by the death of her husband in a canoeing accident. And Sophie is in the throes of starting a new life, which requires her to upset her family and fiance. In this exciting tale, Wolfe-Miller displays a keen sense for the cadence of suspense—the impending hurricane accentuates the hurtling pace toward an action-packed conclusion. Charles’ character, though, seems out of place in the book, an avaricious cartoon villain amid realistically drawn people grappling with heartfelt problems. The complicated story is also overstocked with tangential subplots and narrative asides. The author should have taken the sage writing advice Sophie gives to Bunnie about her own novel: “ ‘Remember, less is more.’ Sophie cautioned. ‘Stay on task and focus on the main plot.’ ”
A rousing drama especially suitable for art lovers but unfortunately weighed down by convolution.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Oct. 16, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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