An emotional portrait of three women dealing with unexpected change.
A family is thrown into chaos in 1990s Southern California in Camarillo’s debut historical novel.
On June 17, 1994—the same day that O.J. Simpson fled police in a white Ford Bronco—Brenda Lockhart attends a party and learns that her husband, Frank, is having an affair. He soon moves out of their house, leaving Brenda to care for their two teenage daughters, Allison and Peggy, a task for which she isn’t very skilled—particularly as the household takes a financial hit. Practical, organized Peggy wants to be an accountant but ends up working with her father at the post office after she turns 18. She has an affair with an older co-worker who’s uninterested in commitment, and the fallout from the relationship further complicates her plans. Flighty Allison is dating a surfer named Kevin Nelsonthat none of her family members like, but that only seems to increase his appeal in her eyes. She lives with his family for a time, but Kevin is abusive, and Allison blames herself for his behavior. She also shoplifts and gets mixed up with Kevin’s family’s drug business—all of which eventually catches up with her. Throughout, Brenda obsesses over every detail of the Simpson case as more details are revealed, neglecting to shower or do household chores. All three women must find ways to navigate themselves out of difficult situations. Brenda comes off as judgmental and unwilling to compromise at first, and as a result, readers may find her cold and unsympathetic. However, as the novel progresses, she matures as a character, moving to a more affordable place to live, finding a job, and becoming a more attentive mother. The author uses the Simpson trial as an indicator for Brenda’s growth; by the time the verdict is rendered, she’s doing better for herself than when the legal proceedings began, and she’s less consumed by them. Peggy and Allison aren’t always likable, either, but they also learn to make better decisions, and the novel’s ending is a satisfying one.
An emotional portrait of three women dealing with unexpected change.Pub Date: June 1, 2021
ISBN: 978-1-64742-100-7
Page Count: 342
Publisher: She Writes Press
Review Posted Online: March 19, 2021
Review Program: Kirkus Indie
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
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