Charming Daly (Feminist Ethics/Boston College; Pure Lust, 1984; Gyn/Ecology, 1978, etc.) gives us her side of the story in this ``account of my time/space travels and ideas.'' Daly has always dispensed pretty strong medicine, and in the last few years seems to have opened her own sanatorium: This book employs the same fractured vocabulary and inverted syntax that she established as her lingua franca in Gyn/Ecology. We are taken through the four ``spiral galaxies'' of Daly's life: the first encompassing the period from her birth in 1928 to the publication of The Church and the Second Sex some 40 years later; the second concentrating on the early 70's, when Daly renounced her Catholicism and became a ``Revolting Hag'' bent upon overthrowing patriarchy; the third carrying her deeper into the fray through the increasing extremity of her opinions as they developed up to 1987; and the fourth bringing her into the present/future. What rescues this from complete opacity is Daly's willingness to illustrate every new turn in her thought with some personal incident—usually something that occurred on holiday or with one of her cats—and to return frequently and vehemently to the bitter experiences of her childhood and youth to explain her intellectual genesis. Moreover, the most lurid passages of Dalyese (``Having arrived at the Moment of participation in the Background Present, we Unfold our wings and soar into an expanded Present which is off the calendars, off the clocks or clockocracy'') sound a good deal more congenial when held against the flatness of her ``normal'' prose (``I landed in Paris and was filled with wonder and ecstasy at every sight and sound. This was all like a fairy tale, and it was happening to me''). There is a ``Great Summation'' of sorts at the end, which doesn't really clear things up. Nothing new for Daly fans, and little help to Daly scholars: Like all good preachers, Daly reveals very little of herself in the end.

Pub Date: Feb. 1, 1993

ISBN: 0-06-250194-1

Page Count: 480

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 1992

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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