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OUTERCOURSE

THE BE-DAZZLING VOYAGE

Charming Daly (Feminist Ethics/Boston College; Pure Lust, 1984; Gyn/Ecology, 1978, etc.) gives us her side of the story in this ``account of my time/space travels and ideas.'' Daly has always dispensed pretty strong medicine, and in the last few years seems to have opened her own sanatorium: This book employs the same fractured vocabulary and inverted syntax that she established as her lingua franca in Gyn/Ecology. We are taken through the four ``spiral galaxies'' of Daly's life: the first encompassing the period from her birth in 1928 to the publication of The Church and the Second Sex some 40 years later; the second concentrating on the early 70's, when Daly renounced her Catholicism and became a ``Revolting Hag'' bent upon overthrowing patriarchy; the third carrying her deeper into the fray through the increasing extremity of her opinions as they developed up to 1987; and the fourth bringing her into the present/future. What rescues this from complete opacity is Daly's willingness to illustrate every new turn in her thought with some personal incident—usually something that occurred on holiday or with one of her cats—and to return frequently and vehemently to the bitter experiences of her childhood and youth to explain her intellectual genesis. Moreover, the most lurid passages of Dalyese (``Having arrived at the Moment of participation in the Background Present, we Unfold our wings and soar into an expanded Present which is off the calendars, off the clocks or clockocracy'') sound a good deal more congenial when held against the flatness of her ``normal'' prose (``I landed in Paris and was filled with wonder and ecstasy at every sight and sound. This was all like a fairy tale, and it was happening to me''). There is a ``Great Summation'' of sorts at the end, which doesn't really clear things up. Nothing new for Daly fans, and little help to Daly scholars: Like all good preachers, Daly reveals very little of herself in the end.

Pub Date: Feb. 1, 1993

ISBN: 0-06-250194-1

Page Count: 480

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1992

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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