by Mary Firmin ‧ RELEASE DATE: Oct. 12, 2011
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Firmin’s first novel is a first-rate murder mystery.
Megan Riley’s circle of friends includes Rachel Feinman, Alexandra Grant and Kathleen Rosario—all wives of wealthy California men. Their lives revolve around the Bayside Yacht Club, their yachts and the club’s activities. But unlike her friends, Megan is working girl—she doesn’t own a yacht, makes her living selling real estate and has recently ended a serious relationship. Despite their cushy lifestyles, Megan’s friends are not without their problems; all of their marriages are in various states of decay, some in graver condition than others. While sunbathing on Alexandra’s yacht, the friends learn of the death of mutual acquaintance George Fisher; he had suffered a heart attack while in the company of a hooker. All are shocked by the news, but none are surprised. The ladies discuss their husbands’ proclivities for obtaining sexual favors through nefarious means, as well as the ladies’ shared desire to retaliate against the guys. The ladies bandy about the idea of finding a gigolo that they can share and agreed upon it—at least in principle. Meanwhile, detective Matt Donovan is busy investigating the Bondage Murder, a grisly case in which a prostitute’s mutilated body was found near the house where George died. It seems George’s hooker was close friends with the murdered prostitute. In attempting to track down Alexandra’s husband to question him about the murder, Matt winds up on the yacht with the sunbathing ladies. Megan is instantly smitten with the handsome detective, and it seems the attraction is mutual. As Megan’s relationship with Matt progresses, her naughty gigolo pact with her friends and Matt’s murder investigation intertwine. This juicy tale moves at breakneck speed, making for an exciting read. At times, however, this rushing speed results in underdeveloped story elements, such as a dog that suddenly shows up in Megan’s life and then plays a crucial role in the plot. But this is a minor issue that takes little away from what is overall a terrific novel. Because Firmin gives equal time to her female and male characters, the book should be equally appealing both sexes—no small feat. A swiftly paced tale of lust, seduction, duplicity and horror, Firmin’s debut easily keeps the pages turning.
Pub Date: Oct. 12, 2011
ISBN: 978-1462042388
Page Count: 293
Publisher: iUniverse
Review Posted Online: Jan. 12, 2012
Review Program: Kirkus Indie
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by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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