Less peril and more mystification than usual. The conscientiously plotted result provides less tension and a longer wait...
For her 27th suspense novel, Clark (Daddy’s Little Girl, 2002, etc.) turns to the founding figure of the modern Gothic: the mysterious husband who may or may not be a killer.
Twenty-two years ago, Kathryn Lansing, a little girl visiting the Carrington estate with her landscaper father, overheard an argument over money between an unseen man and woman. That evening, neighbor Susan Althorp, 18, vanished after scion Peter Carrington drove her home from a dinner dance on the estate. Two weeks later, the Carringtons fired Jonathan Lansing, and two weeks after that, he disappeared as well, a presumed suicide. The police investigated but could never find enough evidence to indict Peter for murder, not even when his pregnant wife Grace drowned in their swimming pool hours after a party in which he excoriated her drinking. That’s a lot of backstory, but Clark folds it into her narrative as expertly as a chef preparing a lump-free sauce. Once Kay Lansing asks Peter to host a reception to benefit the Englewood (N.J.) library, events move fast. Peter’s soon swept her off her feet in an utterly unconvincing romance; Susan Althorp’s dying mother calls Peter a murderer in a national magazine; Kay sees that her bridegroom is a sleepwalker; bodies turn up on the estate; the D.A. indicts Peter; his stepmother Elaine Walker, desperate to rescue her gallery-owner son Richard from his latest gambling debts, blackmails Kay with what looks like a damning piece of evidence. Kay knows her husband wouldn’t hurt a fly when he’s awake, but as a sleepwalker, could he be channeling The Moonstone along with Rebecca?
Less peril and more mystification than usual. The conscientiously plotted result provides less tension and a longer wait before Clark’s trademark velvet-glove momentum kicks in.Pub Date: April 3, 2007
ISBN: 978-0-7432-6491-4
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2007
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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