by Mary Hoffman & illustrated by Caroline Binch ‧ RELEASE DATE: May 1, 1995
A poignant challenge to the myth of the Ozzie and Harriet- style nuclear family and answer for the pain of those who feel their families don't fit the mold. The heroine of Amazing Grace (1991) returns, aggrieved because she doesn't have a father. Her father returned to Africa so long ago that she knows him only through letters and pictures. Grace, disturbed that books show a mother, father, boy, girl, dog, and cat, complains that her family is ``not right.'' Surprised by her father's offer to visit him in the Gambia during her spring vacation, Grace travels to Africa full of fears what she will find; her meeting with her father's family is bittersweet and confusing. Grace isn't sure she can handle two families, but reassured by her grandmother, opens her heart up to knowing and loving them all. This sensitive, engaging story follows beautifully in the footsteps of its predecessor. Scenes of the Gambia show painstaking research in every lush scene. (Picture book. 4-8)
Pub Date: May 1, 1995
ISBN: 0-8037-1715-6
Page Count: 28
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1995
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by Katheryn Russell-Brown ; illustrated by Frank Morrison ‧ RELEASE DATE: July 1, 2014
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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by Phillipa Soo & Maris Pasquale Doran ; illustrated by Qin Leng ‧ RELEASE DATE: April 2, 2024
This book sings.
Hamilton star Soo’s debut picture book centers on a young girl confronting stage fright.
Piper Chen twirls through her days with her mouth wide open. When Mr. Harris, her music teacher, asks Piper if she’d like to sing a solo in the Spring Sing, she immediately answers, “Yes!” But later, she finds herself frozen during practice. Later, Piper’s grandmother Nǎi Nai notices that Piper isn’t singing, and Piper explains about the solo and the butterflies in her stomach. Nǎi Nai understands and explains that she experienced “húdié” (Chinese for butterflies) at her first piano recital. They also visited whenever something exciting was ahead, like when she left China for America, when she graduated from music school, and when she became a U.S. citizen. “Now, when they greet me, I greet them back. ‘Hello, húdié. Nǐ hǎo.’” The night of the show, Piper feels the butterflies flapping their wings. She hums to herself, “Hello, húdié” and sings. Soo and Pasquale Doran sensitively capture the anxiety of performing and draw parallels with other life changes while giving readers a concrete tool for addressing those butterflies. Leng’s delicate, expressive ink, watercolor, and oil pastel illustrations capture Piper’s enthusiasm and uncertainty as well as Nǎi Nai’s loving warmth, working seamlessly with the text in vignettes and full spreads. Piper Chen and Nǎi Nai are Chinese American; Mr. Harris is brown-skinned.
This book sings. (Picture book. 4-8)Pub Date: April 2, 2024
ISBN: 9780593564691
Page Count: 40
Publisher: Random House Studio
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
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