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THE GREAT BIG BODY BOOK

From the Great Big Book series , Vol. 4

Cheerful and informative, this is a splendid introduction for humans of all shapes and sizes to share.

What is a body?

In the pattern of their earlier books about families and feelings, this experienced team turns its attention to human bodies. As might be expected, their lively survey is notable for its inclusivity. Spread by spread, they introduce their young audience to the bodies of babies, toddlers, teens, pregnant women, and the elderly; to body parts; to fitness, health, and injuries; to senses; to families; to growth, aging, and death; and to a vast range of possibilities. Under the heading “Boy or Girl?” they remind readers that while gender is the first thing people want to know about new babies, “not everyone fits neatly into a ‘boy’ or ‘girl’ box.” Over and over, both text and pictures demonstrate that bodies are both similar and different, that they develop at differing rates, and that they don’t all work in quite the same way. Asquith’s appealing cartoons fill the pages with diverse examples: vignettes of children and adults in an astonishing variety of perfectly believable shapes, sizes, skin tones, moods, clothing (yes, some headscarves), activities, and degrees of mobility. The armless child drawing with a pencil in her mouth is especially memorable. The thought balloons of a cat that wanders through the pages contrast the human and feline worlds.

Cheerful and informative, this is a splendid introduction for humans of all shapes and sizes to share. (Informational picture book. 3-7)

Pub Date: Nov. 1, 2016

ISBN: 978-1-84780-872-1

Page Count: 40

Publisher: Frances Lincoln

Review Posted Online: Aug. 29, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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IZZY GIZMO AND THE INVENTION CONVENTION

From the Izzy Gizmo series

A disappointing follow-up.

Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).

While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.

A disappointing follow-up. (Picture book. 3-6)

Pub Date: March 1, 2020

ISBN: 978-1-68263-164-5

Page Count: 32

Publisher: Peachtree

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE DAY THE CRAYONS QUIT

A comical, fresh look at crayons and color

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Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color . (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 14, 2013

Kirkus Reviews Issue: May 1, 2013

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