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PETALS IN THE ASHES

Out of the frying pan, literally into the fire, the young London shopkeeper who witnessed the horrors of the Plague in At the Sign of the Sugared Plum (2003) returns to the City just in time to see most of it go up in the Great Fire of 1666. As she did previously, Hooper laces her tale with vivid historical and physical detail: Hannah goes from quarantine in a revolting “pesthouse” to a stay in a great manor; then while reopening her confectionary, she catches glimpses of the king, and of the period’s unruly theatrical scene. Meanwhile she’s riding an emotional rollercoaster as her beau, Tom, turns out not to be dead as reported, but working with a sinister quack styled Count de’Ath. Unlike the story, the fire starts slowly—but both build in parallel to a roaring climax. Readers not intimately acquainted with London’s districts will be lost as Hooper traces the conflagration’s course in exact detail. Still, those who stay the course will be rewarded with an exciting tale, enriched by a clear picture of life in Restoration London, and a protagonist able to shrug off losses, even of her treasured business, as long as her love life is looking up. (notes, recipes) (Historical fiction. 11-13)

Pub Date: July 1, 2004

ISBN: 1-58234-936-3

Page Count: 200

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

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RAMONA'S WORLD

Ramona returns (Ramona Forever, 1988, etc.), and she’s as feisty as ever, now nine-going-on-ten (or “zeroteen,” as she calls it). Her older sister Beezus is in high school, baby-sitting, getting her ears pierced, and going to her first dance, and now they have a younger baby sister, Roberta. Cleary picks up on all the details of fourth grade, from comparing hand calluses to the distribution of little plastic combs by the school photographer. This year Ramona is trying to improve her spelling, and Cleary is especially deft at limning the emotional nuances as Ramona fails and succeeds, goes from sad to happy, and from hurt to proud. The grand finale is Ramona’s birthday party in the park, complete with a cake frosted in whipped cream. Despite a brief mention of nose piercing, Cleary’s writing still reflects a secure middle-class family and untroubled school life, untouched by the classroom violence or the broken families of the 1990s. While her book doesn’t match what’s in the newspapers, it’s a timeless, serene alternative for children, especially those with less than happy realities. (Fiction. 8-12)

Pub Date: Aug. 25, 1999

ISBN: 0-688-16816-7

Page Count: 192

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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WAR STORIES

This weave of perceptive, well-told tales wears its agenda with unusual grace.

Two young people of different generations get profound lessons in the tragic, enduring legacy of war.

Raised on the thrilling yarns of his great-grandpa Jacob and obsessed with both World War II and first-person–shooter video games, Trevor is eager to join the 93-year-old vet when he is invited to revisit the French town his unit had helped to liberate. In alternating chapters, the overseas trip retraces the parallel journeys of two young people—Trevor, 12, and Jacob, in 1944, just five years older—with similarly idealized visions of what war is like as they travel both then and now from Fort Benning to Omaha Beach and then through Normandy. Jacob’s wartime experiences are an absorbing whirl of hard fighting, sudden death, and courageous acts spurred by necessity…but the modern trip turns suspenseful too, as mysterious stalkers leave unsettling tokens and a series of hostile online posts that hint that Jacob doesn’t have just German blood on his hands. Korman acknowledges the widely held view of World War II as a just war but makes his own sympathies plain by repeatedly pointing to the unavoidable price of conflict: “Wars may have winning sides, but everybody loses.” Readers anticipating a heavy-handed moral will appreciate that Trevor arrives at a refreshingly realistic appreciation of video games’ pleasures and limitations. As his dad puts it: “War makes a better video game….But if you’re looking for a way to live, I’ll take peace every time.”

This weave of perceptive, well-told tales wears its agenda with unusual grace. (Fiction/historical fiction. 11-13)

Pub Date: July 21, 2020

ISBN: 978-1-338-29020-2

Page Count: 240

Publisher: Scholastic

Review Posted Online: April 7, 2020

Kirkus Reviews Issue: May 1, 2020

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