by Mary Kay Zuravleff ‧ RELEASE DATE: June 1, 1996
Polished first novel toying with the possibility that dead souls are all around us, ``broadcasting'' at weak radio frequencies. That, at least, is Zuravleff's premise, but actually her story is mostly about George Mahoney, an engineer working for a company called Coldpoint. George is a walking dead man. He has labored for 14 years on ``improvements'' for refrigerators—his triumph having been the first ice maker—but now he spends all of his time fending off his foulmouthed boss and trying to avoid the ``Veteran,'' his taciturn, burnt-out officemate. And there's trouble at home: a meticulously organized, fiercely middle-class wife who seems increasingly rigid and unimaginative, and a troubled young son who is either brilliant or disturbed. The Veteran is forced into retirement, and a homely engineer with a hearing aid, Niagara Spense, takes his place. Niagara could excel in academic life except that she'd be labeled a crackpot, since her research involves using old radios to listen in on the dead. George falls in love with her, but he merely bemuses her since she's fallen for the Veteran's son, a rock musician who also seeks to commune with the dead. Jealous George breaks into Niagara's home and, bent on sabotage, accidentally tunes in his dead mother. What she says is so startling that George's life flops over completely: He sheds the guilt his mother long ago imposed, realizes how foolish an affair with Niagara would be, and, after his son wins the science fair with an ingenious refrigeration project, comes up with the best idea he's had in years. Zuravleff backs off from her dead souls theme just when it becomes interesting. Nonetheless, her narrative offers a wry and original meditation on office politics, midlife crisis, and even mortality. Thumbs most of the way up.
Pub Date: June 1, 1996
ISBN: 0-374-15851-7
Page Count: 298
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1996
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BOOK REVIEW
BOOK REVIEW
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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