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THE BODY LEADS THE WAY

A poetic and inspiring invitation to find ways of dwelling in meaning and joy.

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A collection of essays centered around the theme of the ritual.

A ritual encompasses many forms: It could be mundane, like eating breakfast, or symbol-laden, like receiving the body and blood of Jesus at Communion. The experiences that interest Potter are ritualistic acts elevated into life-altering and resonant experiences, leading to a state of liminality—a sense of crossing a threshold or existing in between two separate realities. One way these liminal states can be entered is through physicality, via the body itself. In her first essay, “Between Chaos and Light: Sex, Card Playing, God, Calvin, and Dancing,” the author, who was forbidden to dance during her Calvinist upbringing, discovers that rhythmic yet freeform movement can become a spiritual rite akin to the practice of the whirling dervish Sufi dancers (“their bodies prayers”). In “The Story of a Hollowed-out Bone,” Potter acquires a Buddhist relic for self-protection (a femur, fashioned into a trumpet) that leads her to a shattering discovery about herself. Places can be routes to the in-between state as well, catching us between two worlds. “By the River of 1000 Lingas” explores how a small river in Cambodia with carvings of sacred masculine and feminine symbols (lingams and yonis) adorning its banks mystically links the natural with the human-created. Another essay, “Ever Becoming—Never Being: Dwelling in the Sukkah,” concerns the concept of sukkot, open-sided temporary dwellings some observant Jews reside in for a short period every fall. Sukkot, too, present a duality, acting as both refuge and not-refuge. Potter’s book is tightly organized, with essays divided thematically into four parts. Photos of such subjects as Cambodian temple moonstones, a Whidbey Island labyrinth, and the author’s tallit (prayer shawl) add visual interest, but are almost unnecessary; the prose creates evocative word pictures on its own. (Preparing to write, Potter feels “rushing-spirit brooding over the face of deep, dark, moving waters of what is possible but is not yet born.”) The author describes her book as “an active intuition going for a walk”; Potter’s lyrical essays will make readers want to join the walk, too.

A poetic and inspiring invitation to find ways of dwelling in meaning and joy.

Pub Date: Jan. 1, 2025

ISBN: 9798989164028

Page Count: 248

Publisher: The Liminality Press

Review Posted Online: Jan. 28, 2025

Kirkus Reviews Issue: March 15, 2025

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THAT'S A GREAT QUESTION, I'D LOVE TO TELL YOU

A frank and funny but uneven essay collection about neurodiversity.

An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.

From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.

A frank and funny but uneven essay collection about neurodiversity.

Pub Date: Oct. 28, 2025

ISBN: 9780063381308

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 12, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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