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A VIOLIN FOR ELVA

Though putting off a dream for decades is a foreign idea to most children, they should respond to the lilt of the words and...

A long-deferred dream of music comes true.

The cover shows Elva in overalls, with a twig for a bow and a tennis racket standing in for the violin she covets. “Above the ruffle of talk and the rustle of dresses”—all the language is simple and gorgeous—“Elva heard music”; a violinist is playing at a garden party on the other side of the hedge. But when she asks her parents for a violin, they say no. So she pretends with whatever comes to hand and grows up, music always in her head. She gets a job and responsibilities and a dog, but she borrows records (vinyl LPs!—this is a period piece) from the library and remembers. Her hair gone gray, she gets that violin at last, making music with the help of a teacher. The image of her at the teacher’s recital, a tall, elderly grown-up among a throng of tiny children, is unabashedly adorable. Tusa’s illustrations are cheery and absolutely full of life: Readers can almost hear the music Elva does. It’s a lovely story of the pursuit of a dream delayed but not abandoned, but it may be the sort of book adults give to other adults.

Though putting off a dream for decades is a foreign idea to most children, they should respond to the lilt of the words and the energy and charm of the pictures. (Picture book. 6-10)

Pub Date: Jan. 13, 2015

ISBN: 978-0-15-225483-4

Page Count: 32

Publisher: HMH Books

Review Posted Online: Oct. 21, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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BEATRICE ZINKER, UPSIDE DOWN THINKER

From the Beatrice Zinker, Upside Down Thinker series , Vol. 1

A kind child in a book for middle-grade readers? There’s no downside to that.

Beatrice Zinker is a kinder, gentler Judy Moody.

Beatrice doesn’t want to be fit in a box. Her first word was “WOW,” not “Mom.” She does her best thinking upside down and prefers to dress like a ninja. Like Judy Moody, she has patient parents and a somewhat annoying younger brother. (She also has a perfectly ordinary older sister.) Beatrice spends all summer planning a top-secret spy operation complete with secret codes and a secret language (pig Latin). But on the first day of third grade, her best friend, Lenny (short for Eleanor), shows up in a dress, with a new friend who wants to play veterinarian at recess. Beatrice, essentially a kind if somewhat quirky kid, struggles to see the upside of the situation and ends up with two friends instead of one. Line drawings on almost every spread add to the humor and make the book accessible to readers who might otherwise balk at its 160 pages. Thankfully, the rhymes in the text do not continue past the first chapter. Children will enjoy the frequent puns and Beatrice’s preference for climbing trees and hanging upside down. The story drifts dangerously close to pedantry when Beatrice asks for advice from a grandmotherly neighbor but is saved by likable characters and upside-down cake. Beatrice seems to be white; Lenny’s surname, Santos, suggests that she may be Latina; their school is a diverse one.

A kind child in a book for middle-grade readers? There’s no downside to that. (Fiction. 6-10)

Pub Date: Sept. 19, 2017

ISBN: 978-1-4847-6738-2

Page Count: 160

Publisher: Disney-Hyperion

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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RAFI AND ROSI MUSIC!

From the Rafi and Rosi series

A welcome, well-researched reflection of cultural pride in the early-reader landscape.

The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.

Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.

A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)

Pub Date: Sept. 17, 2019

ISBN: 978-0-89239-429-6

Page Count: 64

Publisher: Children's Book Press

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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