Distinct characters become embroiled in a dark, riveting mystery.


In this second installment of a thriller series, a woman returns to her hometown for a funeral and winds up in the middle of both a family squabble and a murder conspiracy.

Kelly Durrell has lived in Colorado for the past eight years but left her Morrison, Illinois, hometown two decades ago. She’s estranged from her parents, who never approved of her drug-dealing high school boyfriend, Troy Ingram. Her reason for being back in Morrison is the funeral of Uncle George and Aunt Sarah, victims of a brutal double murder to which Troy has already confessed. Word around town is that he claims he killed them because Kelly broke his heart when she dumped him prior to leaving Morrison. Surprisingly, his lawyer, Lizzy D’Angelo, wants Kelly’s help, as she believes someone coerced Troy into committing the crimes. Meanwhile, George and Sarah’s kids, Heidi and Ray, are feuding over the inheritance. Kelly’s dad, Jack, is executor of the estate, but his apparent apathy prompts her to step in and take a closer look at the finances. She soon suspects Heidi or Ray may have somehow orchestrated the murders. Her ensuing search for answers incites more than one individual as things escalate into assaults, kidnappings, and more killings. Maddox (Darkroom, 2016, etc.) so precisely crafts characters and backstory that Kelly’s involvement in the slowly building mystery is organic. For example, helping Lizzy can clear up the Kelly-centric rumor of Troy’s motive and simultaneously identify the person truly culpable for her aunt’s and uncle’s homicides. While readers are privy to the initial killings, the subsequent murders as well as a frightening attack against Kelly are shocking. The story is often bleak: The death of Kelly’s sister, Beth, a few years earlier seemingly torments her parents, and both Heidi and Ray are dubious enough to be behind the homicides. Likewise, the author doesn’t pull any punches, with a fair share of violent moments and one particularly unnerving scene that will convince readers to check their restaurant food thoroughly.

Distinct characters become embroiled in a dark, riveting mystery.

Pub Date: Jan. 20, 2019

ISBN: 978-1-942737-10-0

Page Count: 365

Publisher: Cantraip Press

Review Posted Online: Dec. 24, 2018

Kirkus Reviews Issue: Feb. 15, 2019

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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