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BRINGING THE OUTSIDE IN

A sweet book for any place with small children in it.

Four children of diverse ethnicity—and one small dog—cavort through the seasons, backgrounded by rhythmic verses and a simple refrain.

“We’re bringing the outside in, oh, / Bringing the outside in…” begins the book, with a double-page spread showing the children in raincoats, silhouetted against a sky in which the sun has begun to peek out. The pale-skinned girl with eyeglasses and pink raingear is deliberately splashing through a puddle, in nice contrast to her obviously feminine attire. On the next pages, she peers at a worm dangling from the fingers of her male, Asian-American friend (or, perhaps, younger sibling). “Worms in our clutches, / Wind in our hair, / Boots full of puddle, / Mud everywhere!” Finally comes the cleaning phase, in which the children work cooperatively and equally enthusiastically: “Bringing the outside in, then… / Wiping it off, / Mopping it up, / Dumping it out again.” Although most of the gentle, mixed-media illustrations show girls in more passive pursuits than boys, all the children show delightful exuberance as they enjoy each season’s outdoor offerings by playing, collecting treasures, recording memories, and cleaning up. Occasionally, a white adult woman shows up to help, but the focus is on the children. The text, art, and layout magically lure readers into believing that cooperation and cleaning are as natural and enjoyable as playing.

A sweet book for any place with small children in it. (Picture book. 2-4)

Pub Date: Feb. 9, 2016

ISBN: 978-0-449-81430-7

Page Count: 32

Publisher: Random House

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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GOOD NIGHT, LAILA TOV

A wholesome and gentle story that's pleasant and soothing for little ones of all faiths, though it will have extra resonance...

The wonder of the natural world becomes more meaningful through active engagement with it.

A young family’s camping vacation makes two significant overnight stops, one at the seaside and one further inland in a lush green field. As parents set up tents, brother and sister feel the hot sand, marvel at the wide waves, breathe in the salty air and hear the wind’s English/Hebrew whisper of “good night, laila tov.” Similarly, while parents plant new tree seedlings in the field, children gather berries, are awed by field mice, surprised by bees and ultimately fall asleep to the rhythmic pattern of rain that mimics the “good night, laila tov” message. Bright, often full double-page scenes in deeply rich, opaque hues on textured paper bring out the natural essence of this sweet bedtime piece told in lilting rhyme. “We drove out to the oceanside. / The sand was hot. The waves were wide. / Tall grasses swayed. The salty air / Was soft and still and everywhere.” The continual assurance of its repetitive refrain, found on every other page, complements the theme of caring for nature’s beauty. Though the Judaic concept of tikkun olam, or repairing the world, is not explicitly stated within the text, it pervades the whole.

A wholesome and gentle story that's pleasant and soothing for little ones of all faiths, though it will have extra resonance in Jewish households. (Picture book. 2-4)

Pub Date: March 27, 2012

ISBN: 978-0-375-86868-9

Page Count: 32

Publisher: Random House

Review Posted Online: Dec. 2, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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LEFT HAND RIGHT HAND

Hands down, this subject is a poor choice for a board format.

This hand-shaped effort describes the purpose and power behind people's hands.

Wordy spreads discuss the differences between right and left, challenging readers to examine them and use them in a variety of ways. The text is utterly at odds developmentally with the toddling audience. “Cross your wrists so that your RIGHT hand is now on the LEFT and your LEFT hand is now on the RIGHT.” The text asks the child listeners to place their hands over the front and back covers (in the shape of two hands) to distinguish their right from left. Unfortunately, the pages' shapes are the opposite inside, so the "right hand" appears on the left side when facing readers. A hodgepodge of instructions and vignettes clutters the already cramped pages. Tiny cartoon illustrations sometimes appear odd and even disconcerting in context. “Do any of your other fingers do special things? We use our forefinger to say, be quiet!” The corresponding image depicts a slouching boy with trumpet in hand; a woman towers over him with her shaking finger in an angry reprimand.

Hands down, this subject is a poor choice for a board format. (Board book. 2-4)

Pub Date: March 1, 2012

ISBN: 978-0-7641-6517-7

Page Count: 16

Publisher: Barron's

Review Posted Online: June 12, 2012

Kirkus Reviews Issue: July 1, 2012

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