A palatable historical novel that holds the nostalgia.

THE SOUND OF HER NAME

Seattle novelist Morgan’s (Deeper Waters, 2002, etc.) folksy history lesson revisits a small Welsh town 20 years after the Americans ran through in WWII.

It’s 1968, the Vietnam War rages, and young American Tim Bruce sets off on his Grand Tour of Europe after graduating from Berkeley. Hoping to dodge the draft, and having overheard his pompous law-professor father, Carlton, mention the Welsh town of Clarrach, where he once knew a beautiful girl named Gwyneth Griffiths, Tim decides to head there first (“Maybe he’d discover something about his father he didn’t know already”). And, sure enough, there does exist such a lady near the cliff-town of Clarrach, on the west coast of Wales, the respectable wife to Dr. Rhys Edwards. They welcome the naive American, who has been accepted to Harvard Medical School though he’s not sure he wants to become a doctor. Rhys, a Welsh nationalist who makes no attempt to hide his scorn of what he considers the failed experiment of American democracy, mentions, in a cruel aside, the death of Tim’s political hero Robert Kennedy, then later takes him on rounds to let him see what real doctors do. The past story of Gwyneth and Carlton’s relationship gradually, painfully unfolds, involving a baby born out of wedlock and a gruesome beating-murder of a black GI by his racist fellow soldiers jealous of then-teenaged Gwyneth’s attentions. All the while, naturally, Tim falls wildly in love with the alluring, elusive Gwyneth, and their attraction nicely sparks Oedipal electricity. English-born author Morgan deftly incorporates some forbidden history of the American presence in the country during WWII—“Overpaid, oversexed, and over here”—and she clearly relishes Welsh history and culture. After the initial heavy-handed plotting (clumsy Tim keeps hurting himself so that he has to stay with the Edwardses), Morgan conveys a story that seems to strain on its own to be heard.

A palatable historical novel that holds the nostalgia.

Pub Date: June 1, 2005

ISBN: 0-312-34135-0

Page Count: 304

Publisher: Dunne/St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2005

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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Romance and melodrama mix uneasily with mass murder.

THE WINTER GUEST

An 18-year-old Polish girl falls in love, swoons over a first kiss, dreams of marriage—and, oh yes, we are in the middle of the Holocaust.

Jenoff (The Ambassador’s Daughter, 2013, etc.) weaves a tale of fevered teenage love in a time of horrors in the early 1940s, as the Nazis invade Poland and herd Jews into ghettos and concentration camps. A prologue set in 2013, narrated by a resident of the Westchester Senior Center, provides an intriguing setup. A woman and a policeman visit the resident and ask if she came from a small Polish village. Their purpose is unclear until they mention bones recently found there: “And we think you might know something about them.” The book proceeds in the third person, told from the points of view mostly of teenage Helena, who comes upon an injured young Jewish-American soldier, and sometimes of her twin, Ruth, who is not as adventurous as Helena but is very competitive with her. Their father is dead, their mother is dying in a hospital, and they are raising their three younger siblings amid danger and hardship. The romance between Helena and Sam, the soldier, is often conveyed in overheated language that doesn’t sit well with the era’s tragic events: “There had been an intensity to his embrace that said he was barely able to contain himself, that he also wanted more.” Jenoff, clearly on the side of tolerance, slips in a simplified historical framework for the uninformed. But she also feeds stereotypes, having Helena note that Sam has “a slight arch to his nose” and a dark complexion that “would make him suspect as a Jew immediately.” Clichés also pop up during the increasingly complex plot: “But even if they stood in place, the world around them would not.”

Romance and melodrama mix uneasily with mass murder.

Pub Date: Aug. 26, 2014

ISBN: 978-0-7783-1596-4

Page Count: 352

Publisher: Harlequin MIRA

Review Posted Online: July 1, 2014

Kirkus Reviews Issue: July 15, 2014

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