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THE ROXY LETTERS

Name: THE ROXY LETTERS
Author: Mary Pauline Lowry
ISBN: 978-1-9821-2143-3

by Mary Pauline Lowry ‧ RELEASE DATE: April 7, 2020

Bursts with quirky spirit and gleeful comic energy.

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A series of mostly undelivered letters from a vegan Whole Foods deli maid and Goddess worshiper to her slacker ex-boyfriend.

“Dear Everett, Perhaps I’ve invited you to move into my spare bedroom against my better judgment.” Judgment is not the long suit of Poxy Roxy—so dubbed by her evil supervisor, Dirty Steve, during a bout with chickenpox. Feeling adrift, she turns to columnist Dear Sugar for advice. “The best thing you can possibly do with your life is tackle the motherfucking shit out of it,” says Sugar, and to Roxy, this means organizing a campaign to take down the Lululemon store that is moving into the space once occupied by her beloved Waterloo Video—because Lululemon is not a funky local business. Meanwhile, she's right across the street at the behemoth Whole Foods flagship store, which erased the character of this supposedly historic intersection when it opened in 1980. Well, it used to be a funky local business, before Roxy was born. Only animal rights is a stronger motivator for Roxy than confused anti-corporate nostalgia. “Thank Goddess that Spider House is still going strong, despite the fact that Starbucks stores have spread through the city faster than an STD in a retirement home.” A clitoral masturbation cult, romantic liaisons with a skateboarder and a drummer, a feud with her meth-head neighbors, the near death of her weiner dog due to choking on the crotch of her pleather underpants—the predicaments never stop for our millennial heroine. Lowry is the heir apparent to Sarah Bird, whose comic novels Alamo House and The Boyfriend School perfectly captured the Austin of the 1980s. Roxy would love them. We will always remember this as the book that taught us the word “kyriarchy.” Look it up.

Bursts with quirky spirit and gleeful comic energy.

Pub Date: April 7, 2020

ISBN: 978-1-9821-2143-3

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.