edited by Mary Pilon & Louisa Thomas ‧ RELEASE DATE: Aug. 18, 2020
In the introduction the editors write, “this book is for the losers—which is to say, for all of us.” They deliver.
Essays from the realm of competitive sports focusing on losing, which “reveals something raw about what it means to be human.”
A few of the bylines are well known, especially Gay Talese (his oft-anthologized 1964 Esquire profile of Floyd Patterson) and Arthur Conan Doyle (1908 Olympic marathon). Refreshingly, though, most of the contributors are less well known to general readers, and their subjects range from obscure to famous. Some of the essays were previously unpublished while others appeared in the Wall Street Journal, New York Times, the Believer, and other venues. As a collection, the book holds together well even for non–sports fans, though some readers may wish for value-added material such as postscripts or updates. Pilon and Thomas, who both write for the New Yorker and other publications, each contribute an essay. In her piece for that magazine, Thomas focuses on the pressures of the professional tennis tour via a profile of Nick Kyrgios, the volatile Australian who cannot seem to reach his potential in front of tournament crowds. “At some point in every match,” she writes, “he tends to do something brilliant—or he snaps.” Pilon’s piece, published in 2013 in the Times, is set in the world of low-level mixed martial arts, “shadow fighting circuits” that are “far from the bright lights of professional matches.” For basketball fans, Charles Bock offers “The Sporting House,” about an ill-fated star in 1980s Las Vegas, a time when UNLV was the best show in town. Baseball fans will enjoy Bob Sullivan’s “Yankee Strike” and Abby Ellin’s “Larry and the Ball.” In “Banderillero,” Barry Newman writes about bullfighting, an endeavor relatively unknown to American readers. Mike Pesca investigates the many faces of losing and how many “come so close they can taste it, only to be left lapping at the dust of their rivals.”
In the introduction the editors write, “this book is for the losers—which is to say, for all of us.” They deliver.Pub Date: Aug. 18, 2020
ISBN: 978-0-14-313383-4
Page Count: 304
Publisher: Penguin
Review Posted Online: April 9, 2020
Kirkus Reviews Issue: May 15, 2020
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by John Gierach illustrated by Glenn Wolff ‧ RELEASE DATE: June 2, 2020
In these insightfully droll essays, Gierach shows us how fishing offers plenty of time to think things over.
The latest collection of interrelated essays by the veteran fishing writer.
As in his previous books—from The View From Rat Lake through All Fishermen Are Liars—Gierach hones in on the ups and downs of fishing, and those looking for how-to tips will find plenty here on rods, flies, guides, streams, and pretty much everything else that informs the fishing life. It is the everything else that has earned Gierach the following of fellow writers and legions of readers who may not even fish but are drawn to his musings on community, culture, the natural world, and the seasons of life. In one representatively poetic passage, he writes, “it was a chilly fall afternoon with the leaves changing, the current whispering, and a pale moon in a daytime sky. The river seemed inscrutable, but alive with possibility.” Gierach writes about both patience and process, and he describes the long spells between catches as the fisherman’s equivalent of writer’s block. Even when catching fish is the point, it almost seems beside the point (anglers will understand that sentiment): At the end of one essay, he writes, “I was cold, bored, hungry, and fishless, but there was still nowhere else I’d have rather been—something anyone who fishes will understand.” Most readers will be profoundly moved by the meditation on mortality within the blandly titled “Up in Michigan,” a character study of a man dying of cancer. Though the author had known and been fishing with him for three decades, his reticence kept anyone from knowing him too well. Still, writes Gierach, “I came to think of [his] glancing pronouncements as Michigan haiku: brief, no more than obliquely revealing, and oddly beautiful.” Ultimately, the man was focused on settling accounts, getting in one last fishing trip, and then planning to “sit in the sun and think things over until it’s time for hospice.”
In these insightfully droll essays, Gierach shows us how fishing offers plenty of time to think things over.Pub Date: June 2, 2020
ISBN: 978-1-5011-6858-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 21, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by Dave Lowry ‧ RELEASE DATE: Sept. 7, 2005
A broad and deep look at Japan’s medieval referents, and a capable illustration of a martial art form steeped in rich...
A reflective and entertaining journey through Japan, as the author seeks to reconnect with his martial arts sensei.
Lowry is a student of koryu (not to be confused with kendo), a style of Japanese classical swordsmanship. Koryu is a medieval art, like Noh and the tea ceremony, a style of combat born on the battlefield–but more importantly, it’s a way to address the world (though an esoteric one: Lowry may well be the only American practicing the art in the United States). Indeed, present-day practitioners refrain from exercising its fatal possibilities. Lowry’s sensei left the U.S. to return to Japan, urging Lowry to follow. Though his life headed in a different direction, he never forgot his training–when the time was ripe, he journeyed to Japan to join his sensei. The narrative revolves around this pivotal decision, and it provides a warm center from which the author expounds on such topics as the glories of a Japanese bath; the evolution of the Samurai caste; the peculiarities of Japanese landscape architecture; the elements of proper sandal-tying; the custom of the premarital shenanigans called yobai; and the teachings of mikkyo Buddhism. He also includes the vital story of the sword–what it reveals about Japanese life and technology, social structure and aesthetic values, etiquette, apprenticeship and the process of education. Lowry’s seriousness lends an earnest cast to the proceedings, but he’s not without a sense of humor–commenting upon his accomplished slurping of noodles, a friend’s wife notes, “He really sucks!”
A broad and deep look at Japan’s medieval referents, and a capable illustration of a martial art form steeped in rich tradition.Pub Date: Sept. 7, 2005
ISBN: 1-890536-10-5
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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