A bright, brisk repackaging that piles on the visual appeal.
Two kids climb a ladder to prehistoric adventure in a graphic bid to bring the classic series to an even younger audience.
A half-idle wish that stolid 8 1/2-year-old Jack makes while he and his impulsive little sister, Annie, are sitting in a mysterious, book-filled treehouse whirls the two off to the Cretaceous Period for encounters with dinosaurs both amiable and, in the case of a toothy Tyrannosaurus rex, not so much. The illustrators (twin sisters) make much use of inset and irregularly shaped panels to keep the action trotting along. They craft brightly lit, full-color scenes (more simply drawn than Sal Murdocca’s black-and-white illustrations in the 1992 original) in which Jack’s large eyeglasses and Annie’s big, wide, blue eyes (both kids present White) offer instant keys to their characters, and the dinos wading through grassy, flower-strewn prehistoric landscapes are more beneficent-looking than scary (even that T. rex). Laird incorporates necessary explication into the dialogue, simplifying some vocabulary—Jack’s “I wish I could see a Pteranodon for real,” in the chapter book becomes “I wish we could go there,” as he points to a picture of the flying reptile—but generally sticking to Osborne’s tone and phrasing. In the end the two time travelers get back home in time for dinner…Jack with a certain golden medallion he picked up as a lead-in to the next three episodes.
A bright, brisk repackaging that piles on the visual appeal. (Graphic fantasy. 6-9)Pub Date: May 4, 2021
ISBN: 978-0-593-17468-5
Page Count: 176
Publisher: Random House
Review Posted Online: Feb. 8, 2021
Kirkus Reviews Issue: March 1, 2021
BOOK REVIEW
BOOK REVIEW
What a wag.
What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
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