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MASK OF THE NIGHT

At the core of this spooky yarn, swaddled in Anne Ricean supernatural strands, is a concern half-concealed before in the author's Shadows from the Fire (1995)—the ugly tension between the sexes, in which women are the losers, big-time. Here, two women, 50 years apart, attract demonic lovers and amass ancient curses, while even their peripheral sisters-in-arms wilt like moths: ``Passion and injustice have a way of marking the very air around them and of reverberating down the years.'' From the time of an Inquisition in Venice comes the origin of this story of cruelty, terrible passion, and two artifacts belonging to an apostate priest who has turned to the occult: a gold ring and a silver mask, which appear and disappear in the lives of Desiree and Jenny. When English Jenny discovers the mask just before WW I, she braves the rage of Papa and the fears of Gramps to put it on her face. The world is then revealed as a ``terrible lonely place.'' There's more magic afoot when a strange man appears from nowhere, saying odd things. The grown-up Jenny goes on to endure a disastrous marriage to mundane Andrew; she's repulsed by sex and ``swamped by the ordinary.'' Andrew's sister Yvonne marries Theo, needy and vulnerable, it seemed, until his own strange metamorphosis. A ghastly climax ensues when all four meet, with Theo's hapless mother and sister, in his Irish estate, Kilashane. Kilashane, much later, is a personal mystery to Dee, who, in 1967, will also have eerie visitations there, even waver into a past and lose the gold ring she'd found. Kilashane is now a ruin, but who will tell Dee what caused this? She marries fascinating American Peter Eggli, who, at the last, murmurs that he will ``explain everything,'' as he places that gold ring on her finger. A bouquet of fleurs-de-mal and close-packed scary stuff; people and places not what they seem; promising escapes with dead ends, etc. Chilly con carne.

Pub Date: Dec. 1, 1997

ISBN: 0-312-16925-6

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1997

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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