A Christian’s heartfelt account relates how her strong faith became a bulwark against life’s troubles.
A debut Christian autobiography offers heavy infusions of prayer and meditation.
The ideological heart of Kelly’s brief, passionate book is Psalm 91, which begins “He who dwells in the shelter of the Most High will rest in the shadow of the Almighty.” The volume opens with a long segment that delivers an autobiographical sketch of the author’s life, marriages, and setbacks in her years as a Christian, starting with her reluctance to embrace the very concept of being born again. “I’m a Christian!” she fumed when the subject was first raised. “I don’t need this born-again fanatic stuff. I have been baptized and confirmed. I sang in the choir and ironed altar cloths.” But a closer relationship with her faith came about partly in the wake of her despair over her divorce: “With my life falling apart and without any ability to stop what was happening, my only refuge was the time I spent with God.” Throughout the shorter and more purely devotional segments that follow, she pursues this God-as-shelter idea, and regularly reminds her readers that he seeks a personal relationship with them and shouldn’t be taken for granted even during the most hectic of schedules. “When was the last time,” she asks, “you sat down and gave thanks for all God has given you, the seen and unseen?” Everything in the human body, down to the smallest cell, has a purpose, she reminds her readers, although she dubiously extends this to add: “Skin cells are positioned in the correct place and do the job they were designed to do” (well over three million cases of skin cancer are diagnosed in America every year). But regularly throughout the book, her zealousness is softened and countered by her optimistic message connecting faith with a believer’s progress. “Little by little, bit by bit, with the help of the Holy Spirit,” she writes, “we keep moving forward each day.” Her fellow Christians, seeking testimony about the haven their faith can give them, should find the straightforward simplicity of this volume inspiring.
A Christian’s heartfelt account relates how her strong faith became a bulwark against life’s troubles.Pub Date: Feb. 20, 2018
ISBN: 978-1-9736-1338-1
Page Count: 169
Publisher: Westbow Press
Review Posted Online: Aug. 25, 2018
Review Program: Kirkus Indie
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
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