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CROWN OF DUST

Salty, softhearted Emaline is the only truly memorable character, but evocative historical background and thoughtful social...

A girl posing as a boy finds a nugget and sets off a gold rush, with mixed results for the mid-19th-century town of Motherlode, Calif.

When Alex arrives, fleeing some unspecified trouble in San Francisco that requires her to disguise her gender, Motherlode is a ramshackle settlement presided over by Emaline, proprietress of the Victoria Inn. From there, she dispenses meals, whiskey and her favors to the rough men who are scratching the hills in hopes of making a strike. But her heart belongs to Jed, a fugitive slave who’s treated with grudging respect in this makeshift society by everyone except John Thomas, a nasty piece of work who also falsely asserts that Alex jumped his claim. Good-natured Limpy and his partner David force John Thomas to back off (though it’s clear he’ll be back to cause more trouble) and join Alex in the backbreaking work of sifting her claim to see if the nugget was part of a vein or just a fluke. David is disturbed by his attraction to someone he thinks is a boy, and Alex’s feelings for him begin to stir up unwelcome memories of her female past and a grimly unforgiving grandmother back in Pennsylvania. Emaline too is a refugee from the stricter ways of the East; she left a dead husband on the trail and changed the bleak name “Destitution Valley” to Motherlode to reflect her belief that she and all the other misfits can make a new future for themselves here. The story unfolds slowly—a little too slowly, with some simmering conflict (newly arrived, respectable women want to run Emaline out of town) but little real action until the bloody climax. Yet by accretion, Volmer paints a moving portrait of outcasts and nonconformists who build their own community.

Salty, softhearted Emaline is the only truly memorable character, but evocative historical background and thoughtful social observation make this a promising debut.

Pub Date: Nov. 1, 2010

ISBN: 978-1-56947-861-5

Page Count: 288

Publisher: Soho

Review Posted Online: Sept. 13, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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