Based on the real Odette Meyers (nee Melspajz), this thoughtful, affecting piece makes an ideal Holocaust introduction for...
Introspective and accessible, this fictionalized history of a Jewish child surviving the Nazi occupation of France uses an elegant simplicity of language.
Odette, quite young, lives comfortably in a Paris apartment “on a cobblestone square / with a splashing fountain.” Watching a newsreel, she sees “soldiers march, / their legs and arms straight as sticks. / A funny-looking man with a mustache / shouts a speech.” The next day, she sees a Jewish-owned store with smashed windows. Mama and Papa are secular, but “[w]e are Polish Jews because / Mama’s and Papa’s parents and grandparents / in faraway Poland / are all Jews.” Papa joins the French army and is taken prisoner; yellow stars are assigned; Mama sends Odette out of Paris. For 2 1/2 years, Odette practices Catholicism in one village and then another, growing attached to religious ritual and the countryside. Macdonald’s free verse uses unadorned images: a blanket from Odette’s devoted (Christian) godmother; schoolchildren pounding out “La Marseillaise” on desks with their fists to drown out rowdy German soldiers; those same children rolling Odette in a thorn bush when they suspect her secret. Odette’s first-person voice matures subtly as she grows in age and in comprehension of the war’s horrors.
Based on the real Odette Meyers (nee Melspajz), this thoughtful, affecting piece makes an ideal Holocaust introduction for readers unready for death-camp scenes. (timeline, historical photographs, author’s note) (Historical verse fiction. 9-15)Pub Date: March 1, 2013
ISBN: 978-1-59990-750-5
Page Count: 224
Publisher: Bloomsbury
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Powerful and resonant.
Four 12-year-old Sephardic Jewish girls in different time periods leave their homelands but carry their religion, culture, language, music, and heritage with them.
King Ferdinand and Queen Isabella’s expulsion of the Jews from Spain in 1492 sends Benvenida fleeing from Toledo with her family, though she promises to remember where she came from. In 1923, Reina celebrates Turkish independence with her longtime friend and neighbor, a Muslim boy, causing her strict father to disown her and send her to live with an aunt in Cuba as punishment. Reina brings her mother’s oud with her and passes it on to Alegra, her daughter, who serves as a brigadista in Castro’s literacy campaign before fleeing to the U.S. in 1961. In Miami in 2003, Paloma, Alegra’s daughter, who has an Afro-Cuban dad, is excited to travel to Spain with her family to explore their roots. They find a miraculous connection in Toledo. Woven through all four girls’ stories is the same Ladino song (included with an English translation); as Paloma says, “I’m connected to those who came before me through the power of the words we speak, the words we write, the words we sing, the words in which we tell our dreams.” Behar’s diligent research and her personal connection to this history, as described in a moving author’s note, shine through this story of generations of girls who use music and language to survive, tell their stories, and connect with past and future.
Powerful and resonant. (sources) (Historical fiction. 10-15)Pub Date: Feb. 6, 2024
ISBN: 9780593323403
Page Count: 272
Publisher: Nancy Paulsen Books
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
