A busy plot, rendered in listless prose and populated by one-dimensional characters.
A middle-aged woman anticipates new freedom, only to have troubles land on her with a vengeance, in McFadden’s follow-up to The Richest Season (2008).
Claire, 45, is ready to get out of Jersey. She’s winding up 25 years of teaching, has taken up serious study of photography and is engaged to marry Rick, a golf-loving hedonist with an Arizona townhouse. Then Claire’s estranged daughter Amy, 23, returns home, her weight problem apparently worse than ever—until she gives birth just as her mother is about to leave for a once-in-a-lifetime opportunity: a career-making photography workshop in Cape Cod. Claire is now stuck with a resentful daughter, a newborn granddaughter, Rose, whose paternity Amy won’t discuss, and elderly parents who rely mostly on her, since out-of-state brother Eugene is too busy with his own career and family. Claire’s father Joe has Parkinson’s, and her mother Fanny, increasingly addled at 77, can’t cope. The workshop and the wedding must wait, but what is she going to do about John, the freelance writer who’s supposed to be renting her house while she’s in Provincetown? He finds another place, but he wants to use her photographs in an article on New Jersey’s abandoned canal system; working with John, Claire finds herself dangerously attracted. Then she gets another chance at the workshop, and with Amy, Rose and her parents (sprung from assisted living) in tow, Claire heads for Cape Cod. There, Joe tries to reconnect with a wartime love, Ava. Upset that Joe has never come clean with her about Ava, Fanny seeks solace in Buddhism and romance with local restaurateur Dominick. Provincetown also happens to be home base for John, who is working to publicize the plight of endangered whales and seals. The ever-escalating complications are fun, but this story of second chances smacks of middle-aged wish-fulfillment: There’s even a scene in which Rick and John fight over Claire.
A busy plot, rendered in listless prose and populated by one-dimensional characters.Pub Date: July 7, 2009
ISBN: 978-1-4013-0148-4
Page Count: 400
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2009
BOOK REVIEW
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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