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SURRENDER

A MEMOIR OF NATURE, NURTURE, AND LOVE

A touching personal account of a journey to understanding and acceptance; informative and unsettling.

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A memoir examines the complex psychological impact of adoption.

MacDonald was born in 1945. Her biological mother was 16 years old and unmarried. The baby was put up for adoption, and, at 6 weeks of age, the author became the daughter of Rex and Lorene Benham. The moment she joined the Benham family, she writes, was the beginning of her “origin story.” Sixteen years later, history would repeat itself when MacDonald found herself entering the Phoenix Florence Crittenton Home for unwed mothers. She had hoped to keep the baby and marry her boyfriend, John. But they were underage; his father was against the marriage; and John wanted to go to West Point the following year. Plus, MacDonald knew that her mother was upset about the pregnancy. In January 1962, the author gave birth to her son. She saw him for only a moment. It would be 21 years before they would meet. John and MacDonald did in fact marry two years later. They ultimately had four children, in addition to the one she surrendered. The author is in a unique position to discuss the trauma of adoption from two sides—as an adoptee who always felt she didn’t belong and as a mother who endured the initial anguish of giving up her baby and the many years of worrying if he was well or even alive. The articulate narrative includes sections that review MacDonald’s childhood and teenage years and some vivid scenes depicting her anger and despair while at the Crittenton Home. But it is decidedly focused on the displacement that author Nancy Newton Verrier wrote about in her book The Primal Wound. Some therapists explain that this wound is the psychological pain adopted infants feel when they are denied physical contact with the women with whom they have established neurological and biochemical connections. MacDonald describes it more viscerally as a wound that leaves a permanent scar: “Adoption creates a deep scratch on the LP of the soul. Every time the record revolves, the needle drops into that scratch.”

A touching personal account of a journey to understanding and acceptance; informative and unsettling.

Pub Date: Nov. 19, 2020

ISBN: N/A

Page Count: 393

Publisher: Grand Canyon Press

Review Posted Online: Sept. 23, 2020

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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