by Matt Ellison illustrated by Betsy Ellison ‧ RELEASE DATE: Nov. 19, 2016
A haunting but hopeful story of the new West and the unlikely passions it stirs.
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A man returns to the small Western town where he grew up and finds that his family history won’t stay buried in this debut novel.
In 1979, Joe Meeks is a construction worker with a penchant for getting thrown off jobs for second-guessing the engineering. He’s on a building site in New York City when his cousin Evan Gallantine shows up with both bad and good news: on the one hand, Joe’s long-estranged father has died; on the other, his passing clears the way to sell the Meeks’ hardscrabble ranch for a handsome sum to dam developers. Joe goes to the town of Meagher, Montana, and then up to the Meeks ranch, to try to convince his ornery 90-year-old grandmother Frances, the last holdout among the local ranchers, to sell the spread. Joe brings along Wade, a 12-year-old boy who looks like him but whom he’s reluctant to call his son, as he reconnects with Meagher’s colorful denizens. As Wade falls in love with the ranch, Joe has misgivings about selling out and running from a guilty past. The novel effectively explores the conflict between yearning for the wider world and staying rooted in place, no matter how wretched the land and searing the memories. Feeling a bit like a mashup of Larry McMurtry and the 1990s TV series Northern Exposure, Ellison’s tale features wonderfully evocative descriptions of Montana’s majestic landscapes and richly atmospheric cow-town settings. Amid well-paced scenes and punchy, pitch-perfect dialogue, it also includes vivid, sharply individuated characters, including Joe’s rapscallion ex-con uncle Harlo; Father Sterling, whose Sunday services are popular for their copiously alcoholic Communion libations; feisty redhead Marly Croft, an old flame of Joe’s who wants to turn her decrepit Grand Hotel into a swanky inn to cater to Evan’s visions of Meagher as an Aspen-style resort; and Marly’s even feistier daughter Anne, whose native truculence (“What’re you lookin at?”) subsides into an infatuation with Joe. There’s also the elderly Frances, an ex-deputy who once shot a robber and then fielded a marriage proposal from the crook’s partner. The final result is first-rate storytelling with a powerful emotional undercurrent.
A haunting but hopeful story of the new West and the unlikely passions it stirs.Pub Date: Nov. 19, 2016
ISBN: 978-0-9981856-0-6
Page Count: 366
Publisher: Passing Through Press
Review Posted Online: Jan. 24, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Review Program: Kirkus Indie
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by Nora Roberts ‧ RELEASE DATE: June 13, 1995
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
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by Kristin Hannah ‧ RELEASE DATE: Feb. 1, 2008
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
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