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RICE, NOODLE, FISH

DEEP TRAVELS THROUGH JAPAN'S FOOD CULTURE

A food connoisseur expertly unravels the intricate dance surrounding food in Japan.

A gourmand's tour through Japan.

Roads & Kingdoms editor and co-founder Goulding, who co-authored the bestselling Eat This, Not That! series, takes readers to Tokyo, Osaka, Kyoto, Fukuoka, Hiroshima, Hokkaido, and Noto, chronicling his wanderings through the streets, bars, teahouses, and restaurants of each locale. Throughout the book, the author brings to light the food found in these cities. In Japan, eating, cooking, preparing, and even selecting the food products to cook are near-sacred tasks. The Japanese transform what many might consider mundane chores into sublime acts of devotion, where time slows down and reverence is as much a key ingredient as the freshness of the food. Through Goulding's eyes, ears, and especially his mouth, readers can sense the perfection that each shokunin ("an artisan deeply and singularly dedicated to his or her craft") strives for as he or she dedicates his or her life to cooking just one item—e.g., grilled beef intestines or buckwheat noodles—constantly tweaking ingredients, heat, and timing to reach a transcendent state of food ecstasy. Thanks to Goulding's obvious love of the exotic and his ability to write mouthwatering descriptions of food, readers will appreciate the smells and tastes of gizzard shad, cod sperm, dried sea cucumber ovaries, and numerous other animal and seafood parts many would never consider eating. The author munches and crunches his way through bite-sized portions of sushi, soups, dumplings, and noodles, washed down by rounds of sake, to bring readers an epicurean bonanza in addition to insights into the men and women who have devoted their lives to the perfection of certain dishes. Though it does not contain recipes, the book will whet readers' appetites for fresh, flavorful foods and inspire them to travel to Japan to taste the country’s main delicacies.

A food connoisseur expertly unravels the intricate dance surrounding food in Japan.

Pub Date: Oct. 27, 2015

ISBN: 978-0-06-239403-3

Page Count: 368

Publisher: Harper Wave

Review Posted Online: June 22, 2015

Kirkus Reviews Issue: July 15, 2015

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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