THE FOUR GUARDIANS

Following the events of The Spinner Prince (2018), leonine Prince Leo Kahn goes on a quest to find his mother, deep in enemy territory among the Maguar, and save the world.

Accompanied by three of his allies, Stick, Anjali, and Zoya, narrator Leo both seeks his mother and flees his usurping older cousin Tamir, the self-ordained supreme military commander of the Singa Royal Army. Prince Leo is the true heir to the throne, but his cousin wants him dead. On their journey, Leo learns the source of his powers as a Truth Teller—he can summon things from fiction into reality—as well as a startling revelation about his lineage. The prince and his friends attempt to win over the Maguar by warning them about Tamir’s intention to free the sea demon Hasatamura, imprisoned in the Great Mountain, by waging war—it is bloodshed that has the power to release Hasatamura. Everyone will suffer if the prides cannot band together, Leo argues. Laney’s worldbuilding is baroque, leading to a narrative festooned with capitalized jargon. It is also appropriative, with embedded folktales and characters’ names drawn from many different cultures and sources, including Cherokee, Buddhist, and Ghanaian, among others.

The fantasy storyline gets lost in the collision of too many cultures, with appropriation that is both meaningless and confusing.