by Matt Mikalatos ‧ RELEASE DATE: Aug. 6, 2019
A fantasy for thoughtful readers.
A dying girl, a failing world.
In this sequel to The Crescent Stone (2018), Madeline has returned to Earth still sick after rejecting the Elenil magic that allowed her to breathe freely at the cost of another. However, the crumbling magic system and unfolding secrets draw her back to the Sunlit Lands. Though Madeline is key, the story focuses on Shula Bishara, a Syrian refugee and ex-Elenil soldier; Jason Wu, the boy who pledged never to lie; and Darius Walker, Madeline’s ex and a Black Skull. The main plot points are blatantly laid out—no need to guess who will die at the end—but it is the journey and the choices made along the way that make this story shine. Despite prophecies, fire powers, a magical sword, and the silliness of a kitten-sized rhinoceros, these are sympathetic teens who struggle to make hard decisions in lives complicated by revenge, guilt, and sacrifice. More so than in the previous book, this volume focuses on parallels with current race relations and considers modern history and literature from the viewpoint of the disenfranchised and oppressed. Madeline is white, and there is ethnic diversity in the rest of the cast. Navigating this world and its characters may be daunting for those seeking a quick read, but others will find much to delve into and unpack.
A fantasy for thoughtful readers. (notes, cast of characters, appendix, lexicon, legends, poem, excerpts, stories) (Fantasy. 13-17)Pub Date: Aug. 6, 2019
ISBN: 978-1-4964-3175-2
Page Count: 416
Publisher: Wander
Review Posted Online: June 17, 2019
Kirkus Reviews Issue: July 15, 2019
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by Kelly Creagh ‧ RELEASE DATE: Aug. 17, 2021
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.
Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.
After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)Pub Date: Aug. 17, 2021
ISBN: 978-0-593-11604-3
Page Count: 528
Publisher: Viking
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
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by Tobly McSmith ‧ RELEASE DATE: May 26, 2020
Several yards short of a touchdown.
A transgender boy starting over at a new school falls hard for a popular cheerleader with a reputation to protect in this debut.
On the first day of senior year, transgender boy Pony locks eyes with cisgender cheerleader Georgia. They both have pasts they want to leave behind. No one at Hillcrest High knows that Pony is transgender, and he intends to keep it that way. Georgia’s last boyfriend shook her trust in boys, and now she’s determined to forget him. As mutual attraction draws them together, Pony and Georgia must decide what they are willing to risk for a relationship. Pony’s best friend, Max, who is also transgender, disapproves of Pony’s choice to live stealth; this disagreement leads to serious conflict in their relationship. Meanwhile, Georgia and Pony behave as if Pony’s trans identity was a secret he was lying to her about rather than private information for him to share of his own volition. The characters only arrive at a hopeful resolution after Pony pays high physical and emotional prices. McSmith places repeated emphasis on the born-in-the-wrong-body narrative when the characters discuss trans identities. Whiteness is situated as the norm, and all main characters are white.
Several yards short of a touchdown. (Fiction. 14-17)Pub Date: May 26, 2020
ISBN: 978-0-06-294317-0
Page Count: 368
Publisher: HarperTeen
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 15, 2020
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