by Matt Rees ‧ RELEASE DATE: Nov. 1, 2011
A beautiful book illuminated by the author’s own musical background that moves slowly and deliberately to a fine conclusion.
Rees’ latest marks a distinct departure from the Omar Yussef detective series as it combines mystery and historical intrigue with a timeless love story.
Thousands of words have been written about the late-18th-century musical genius, Wolfgang Amadeus Mozart, a child prodigy who, with his sister, toured much of Europe. Maria Anna, known to her family as Nannerl, was five years older than her brother, who died in Vienna in the winter of 1791. He rose to acclaim in the Austrian capital, leaving Nannerl behind. She married and the two were estranged three years before his death. The story opens with Nannerl on her own deathbed. She gives her nephew, also called Wolfgang, an old diary to read. In it she has recorded the story of her search for the reason behind her brother’s death. The younger Nannerl, accompanied only by her maid, travels to Vienna after receiving the news. She feels sad, knowing that she cut herself off from the one person who loved her most, and goes to see his widow, Constanze, who describes her husband’s last few days. Nannerl starts to believe her brother was poisoned and, against the frozen background of Vienna in the days of King Leopold, whose own sister, French Queen Marie Antoinette, lives under arrest, she sets out to unravel the mystery of her brother’s murder. While searching for answers, Nannerl finds more than simply a conspiracy; she also uncovers a side to her beloved brother that she had never before known. Rees nails the details of Mozart’s Vienna with precision, seasoning his story with musical details that will delight fans of classical music. The author renders Nannerl very sympathetic and teases in a touch of romance that is both bittersweet and unexpected. At the heart of the tale lies Mozart’s real-life membership in the Masons, a tiresome and familiar plot device that mars an otherwise lovely story.
A beautiful book illuminated by the author’s own musical background that moves slowly and deliberately to a fine conclusion.Pub Date: Nov. 1, 2011
ISBN: 978-0-06-201586-0
Page Count: 320
Publisher: Perennial/HarperCollins
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Oct. 15, 2011
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by Susan Crandall ‧ RELEASE DATE: July 2, 2013
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.
Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.
Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.Pub Date: July 2, 2013
ISBN: 978-1-4767-0772-3
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 20, 2013
Kirkus Reviews Issue: June 15, 2013
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by Lisa Wingate ‧ RELEASE DATE: June 6, 2017
Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her...
Avery Stafford, a lawyer, descendant of two prominent Southern families and daughter of a distinguished senator, discovers a family secret that alters her perspective on heritage.
Wingate (Sisters, 2016, etc.) shifts the story in her latest novel between present and past as Avery uncovers evidence that her Grandma Judy was a victim of the Tennessee Children’s Home Society and is related to a woman Avery and her father meet when he visits a nursing home. Although Avery is living at home to help her parents through her father’s cancer treatment, she is also being groomed for her own political career. Readers learn that investigating her family’s past is not part of Avery's scripted existence, but Wingate's attempts to make her seem torn about this are never fully developed, and descriptions of her chemistry with a man she meets as she's searching are also unconvincing. Sections describing the real-life orphanage director Georgia Tann, who stole poor children, mistreated them, and placed them for adoption with wealthy clients—including Joan Crawford and June Allyson—are more vivid, as are passages about Grandma Judy and her siblings. Wingate’s fans and readers who enjoy family dramas will find enough to entertain them, and book clubs may enjoy dissecting the relationship and historical issues in the book.
Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her fictional characters' lives.Pub Date: June 6, 2017
ISBN: 978-0-425-28468-1
Page Count: 352
Publisher: Ballantine
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
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