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THE ORIGINS OF VIRTUE

HUMAN INSTINCTS AND THE EVOLUTION OF COOPERATION

How do organisms whose behavior is apparently determined by ``selfish genes'' become social beings, let alone altruists and saints? Ridley, former science editor of the Economist, looks to the growing field of evolutionary psychology for answers. This new discipline draws on insights from anthropology, economics, and politics, as well as on the evolutionary trends the author explored in The Red Queen: Sex and the Evolution of Human Nature (1994). Other organisms besides humans have learned to cooperate. The social insects have long been taken as models for human society; the division of labor they exhibit is one of the key advantages of social living. Vampire bats nest in large groups, and it is common for a successful hunter to share its meal with a neighbor, in hopes that the favor will be returned at a later date. This discovery leads to a digression on the famous ``prisoner's dilemma'' of game theory; the first studies seemed to show that the selfish player invariably wins. It now appears that a cooperative player with a ``tit for tat'' strategy will outlast the purely selfish one. Communal hunting raises interesting issues, too. Surplus meat is often traded for sex with an attractive female neighbor. Early modern humans so effectively hunted large animals that many—the mammoth, for example—became extinct. Another negative effect of large-scale cooperation is war. It is evidently difficult even for highly sophisticated social beings to abandon the notion that only their own tribe is really human and that others must be exterminated. The other side of the coin is trade, which depends on mutual trust. ``Trust is as vital a form of social capital as money is a form of actual capital,'' Ridley argues in a concluding chapter in which he attempts to draw lessons for the modern political arena. A provocative look at some of the central questions about what makes us human; strongly recommended.

Pub Date: April 1, 1997

ISBN: 0-670-86357-2

Page Count: 304

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1997

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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