ANNA O

Four years after a woman allegedly murdered her best friends while sleepwalking, an ambitious London psychologist gets the opportunity to treat her—and to determine, once and for all, her guilt or innocence.

Dr. Benedict Prince, forensic psychologist and sleep specialist, is summoned to a meeting with Dr. Virginia Bloom (his boss at the Abbey Sleep Clinic) and a man from the Ministry of Justice to discuss a recent article in which Ben proposed a possible cure to “resignation syndrome,” which is when a patient enters a deep sleep, often lasting for years, as a way of directly avoiding trauma. The government wants Ben to conduct an experiment on a notorious (alleged) criminal: a young journalist named Anna Ogilvy, aka “Sleeping Beauty,” who’s believed to have murdered two people while sleepwalking, and who hasn’t woken up in the four years since. The government needs Anna awake so she can stand trial for these murders. Ben, of course, has little choice but to agree, and he begins sensory stimulation therapy, believing that if he can connect Anna’s subconscious to happy memories from her childhood, he may be able to wake her. Before she went to sleep, Anna was working to uncover a connection between one of the most notorious English murderers of the 20th century and a secret government experiment called MEDEA. While she might be guilty, Ben realizes that she might also have been a scapegoat for someone else’s murderous rage. And if this shadowy someone has previously killed to protect their secret, Anna’s waking may put her, and Ben, in danger. From the bowels of a notorious psychiatric hospital to a primeval forest to the sun-drenched beaches of Grand Cayman, Blake’s thriller invokes comparisons to Greek tragedies and locked-room mysteries alike, while exploring the additional complicated psychology of sleep and guilt. While this is fully a “whodunit” with an actual solution, it’s even more a “whydunit.” Once you pick it up, there’s no putting it down.

Layered and grandly operatic in scope and tension.