A sweet book, though it’s undermined by character choice.
A (gorilla) parent’s dream for a child.
First-person narration relates the joys and hopes a new parent feels in this offering from Cordell. “We looked upon you, impossible you, and we felt everything,” reads the text in an early spread, revealing heartfelt and earnest sentiments about parental love. This tone is undermined, however, by the painterly watercolor-and-ink illustrations of a semianthropomorphized gorilla family rather than a human family or even fully anthropomorphic animals. These gorillas live in furnished grass huts and use tools but go unclothed and walk on their knuckles. Are they gorillas in order to try to engage child readers with a text that is essentially about validating and representing parental love? Perhaps, but the juxtaposition is rather jarring. One gorilla parent is the text’s narrator/dreamer, and the dream envisions the child growing and changing, having triumphs and hardships. The child becomes a painter, and at the end of the dream, the parents stand in front of their small hut and wave goodbye as the child (now grown) leaves home with paintbrushes strapped to its back in something like a quiver. In waking life, the parents gaze at their infant in its crib and wonder “what will you dream?” and the book ends with a closing portrait of the family.
A sweet book, though it’s undermined by character choice. (Picture book. 3-5)Pub Date: May 2, 2017
ISBN: 978-1-4847-7340-6
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)
Doctor X-Ray, a megalomaniac with an X-ray blaster and an indestructible battle suit, crashes through the ceiling of the local mall.
Innocent patrons scatter to safety. But one curious child gazes directly at the bully and asks: “Why?” At first, Doctor X-Ray answers with all the menace and swagger of a supervillain. The curious child, armed with only a stuffed bear and clad in a bright red dress, is not satisfied with the answers and continues asking: “Why?” As his pale cheeks flush with emotion, Doctor X-Ray peels back the onion of his interior life, unearthing powerful reasons behind his pursuit of tyranny. This all sounds heavy, but the humorously monotonous questions coupled with free-wheeling illustrations by Keane set a quick pace with comical results. At 60 pages, the book has room to follow this thread back to the diabolical bully’s childhood. Most of the answers go beyond a child’s understanding—parental entertainment between the howl of the monosyllabic chorus. It is the digital artwork, which is reminiscent of Quentin Blake’s, that creates a joyful undercurrent of rebellion with bold and loose brush strokes, patches of color, and expressive faces. The illustrations harken to a previous era save for the thoroughly liberated Asian child speaking truth to power.
A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)Pub Date: Oct. 1, 2019
ISBN: 978-1-4521-6863-0
Page Count: 60
Publisher: Chronicle Books
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
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