A debut collection that quietly examines the personal crises of a varied cast of well-intentioned men (and one woman), by a winner of the Nelson Algren Prize.
The predominant subjects are loss and grief. In the title story, two brothers—one recently divorced, one manic-depressive—embark on a cross-country journey, seeking to regain the closeness they once had. They succeed, although one brother’s careless treachery results in their both tumbling off a motel roof. The accumulation of unexpected but fully believable events powers Iribarne’s tales. In “Make Them Laugh,” a priest, who has been demoted to serving a poor congregation after a drunk-driving episode in which he crashed into a police car and lost a tooth, breaks his fingers punching a lectern as he questions his vocation. In “Sudden Mysteries,” an English professor runs his car into a tree and sleeps with a stranger on the eve of his wedding, fulfilling his father’s prophecy that “this kind of thing would happen.” Rodney, in “A Dream, Not Alone,” kidnaps his newborn grandson to grant his dead wife’s last request. Underlying these tales seems to be the fervent hope that understanding will lead to forgiveness, and if they have a flaw, it may be their sameness—the plainspoken tone, the gallows humor, the abundant sadness and disappointment. Uniformly, the characters here are sky-gazers, whether looking at the sun or the clouds or the stars. The final and most ambitious piece touches on divorce, infidelity, love, marriage, and death. Told from multiple points of view, it ends with a brother and sister sitting together at the reception following their father’s funeral, dancing to his favorite Ella Fitzgerald song with only their feet. The sad but lovely telling here has the sweep of a novel, suggesting the direction this fine new writer may take.
Heartfelt, wise, graceful stories.Pub Date: June 1, 2001
ISBN: 0-7432-0380-1
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 15, 2001
Categories: LITERARY FICTION
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A strange, subtle, and haunting novel.
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A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.
How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.
A strange, subtle, and haunting novel.Pub Date: March 24, 2020
ISBN: 978-0-525-52114-3
Page Count: 320
Publisher: Knopf
Review Posted Online: Nov. 25, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Categories: LITERARY FICTION | GENERAL FICTION
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Fierce, poetic, uncompromising.
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This extremely urban fantasy, a love/hate song to and rallying cry for the author’s home of New York, expands her story “The City, Born Great” (from How Long ’Til Black Future Month, 2018).
When a great city reaches the point when it's ready to come to life, it chooses a human avatar, who guides the city through its birthing and contends with an extradimensional Enemy who seeks to strike at this vulnerable moment. Now, it is New York City’s time to be born, but its avatar is too weakened by the battle to complete the process. So each of the individual boroughs instantiates its own avatar to continue the fight. Manhattan is a multiracial grad student new to the city with a secret violent past that he can no longer quite remember; Brooklyn is an African American rap star–turned–lawyer and city councilwoman; Queens is an Indian math whiz here on a visa; the Bronx is a tough Lenape woman who runs a nonprofit art center; and Staten Island is a frightened and insular Irish American woman who wants nothing to do with the other four. Can these boroughs successfully awaken and heal their primary avatar and repel the invading white tentacles of the Enemy? The novel is a bold calling out of the racial tensions dividing not only New York City, but the U.S. as a whole; it underscores that people of color are an integral part of the city’s tapestry even if some white people prefer to treat them as interlopers. It's no accident that the only white avatar is the racist woman representing Staten Island, nor that the Enemy appears as a Woman in White who employs the forces of racism and gentrification in her invasion; her true self is openly inspired by the tropes of the xenophobic author H.P. Lovecraft. Although the story is a fantasy, many aspects of the plot draw on contemporary incidents. In the real world, white people don’t need a nudge from an eldritch abomination to call down a violent police reaction on people of color innocently conducting their daily lives, and just as in the book, third parties are fraudulently transferring property deeds from African American homeowners in Brooklyn, and gentrification forces out the people who made the neighborhood attractive in the first place. In the face of these behaviors, whataboutism, #BothSides, and #NotAllWhitePeople are feeble arguments.
Fierce, poetic, uncompromising.Pub Date: March 24, 2020
ISBN: 978-0-316-50984-8
Page Count: 448
Publisher: Orbit
Review Posted Online: Nov. 25, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Categories: LITERARY FICTION | FANTASY | GENERAL SCIENCE FICTION & FANTASY
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