A baroque premise fuels a reasonably adventuresome middle volume.
With the all-powerful Global Energy Trust hot on the trail, this sequel to The Arctic Code (2015) finds Eleanor and her ragtag band of allies mounting assaults on more of the alien devices that are rapidly forcing Earth into an ice age by sucking up its “telluric energy.”
Eluding armed G.E.T. agents as they go, the fugitives leave Alaska’s deep freeze behind to fly south toward Lake Titicaca—pausing, in an ironic touch, to gape at Mexico City’s massive sprawl of refugees from icy North America. The eldritch Concentrator is buried at a nexus of ley lines deep within submerged Incan ruins, and reaching it so that Eleanor can mentally kill the artificial intelligence that operates it isn’t going to be easy. Nor, for that matter, will escaping afterward, as betrayal leaves some group members in G.E.T. hands. Next stop: Luxor, another Concentrator, and another narrow escape. The author shoehorns in so much continuing conflict between Eleanor and her overprotective mother (both white), and also between another scientist and his two biracial sons (black/white), that the story often seems more about parent-child issues than saving the planet. Still, as Eleanor leads the way toward the Himalayas and a possibly climactic attack on the last and most powerful Concentrator, she’ll plainly be facing a new cascade of deadly dangers and soul-wrenching choices.
A baroque premise fuels a reasonably adventuresome middle volume. (Science fiction/fantasy hybrid. 11-13)Pub Date: May 10, 2016
ISBN: 978-0-06-222490-3
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
This weave of perceptive, well-told tales wears its agenda with unusual grace.
Two young people of different generations get profound lessons in the tragic, enduring legacy of war.
Raised on the thrilling yarns of his great-grandpa Jacob and obsessed with both World War II and first-person–shooter video games, Trevor is eager to join the 93-year-old vet when he is invited to revisit the French town his unit had helped to liberate. In alternating chapters, the overseas trip retraces the parallel journeys of two young people—Trevor, 12, and Jacob, in 1944, just five years older—with similarly idealized visions of what war is like as they travel both then and now from Fort Benning to Omaha Beach and then through Normandy. Jacob’s wartime experiences are an absorbing whirl of hard fighting, sudden death, and courageous acts spurred by necessity…but the modern trip turns suspenseful too, as mysterious stalkers leave unsettling tokens and a series of hostile online posts that hint that Jacob doesn’t have just German blood on his hands. Korman acknowledges the widely held view of World War II as a just war but makes his own sympathies plain by repeatedly pointing to the unavoidable price of conflict: “Wars may have winning sides, but everybody loses.” Readers anticipating a heavy-handed moral will appreciate that Trevor arrives at a refreshingly realistic appreciation of video games’ pleasures and limitations. As his dad puts it: “War makes a better video game….But if you’re looking for a way to live, I’ll take peace every time.”
This weave of perceptive, well-told tales wears its agenda with unusual grace. (Fiction/historical fiction. 11-13)Pub Date: July 21, 2020
ISBN: 978-1-338-29020-2
Page Count: 240
Publisher: Scholastic
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
Like its bestselling progenitors, a nonstop spinoff afroth with high tech, spectacular magic, and silly business.
With their big brother Artemis off to Mars, 11-year-old twins Myles and Beckett are swept up in a brangle with murderous humans and even more dangerous magical creatures.
Unsurprisingly, the fraternal Irish twins ultimately prove equal to the challenge—albeit with help from, Colfer as omniscient narrator admits early on, a “hugely improbable finale.” Following the coincidental arrival on their island estate of two denizens of the subterranean fairy realm in the persons of a tiny but fearsome troll and a “hybrid” pixie-elf, or “pixel,” police trainee, the youngest Fowls immediately find themselves in the sights of both Lord Teddy Bleedham-Drye, a ruthless aristocrat out to bag said troll for its immorality-conferring venom, and Sister Jeronima Gonzalez-Ramos de Zárate, black-ops “nunterrogation” and knife specialist for ACRONYM, an intergovernmental fairy-monitoring organization. Amid the ensuing whirl of captures, escapes, trickery, treachery, and gunfire (none of which proves fatal…or at least not permanently), the twins leverage their complementary differences to foil and exasperate both foes: Myles being an Artemis mini-me who has dressed in black suits since infancy and loves coming up with and then “Fowlsplaining” his genius-level schemes; and Beckett, ever eager to plunge into reckless action and nearly nonverbal in English but with an extraordinary gift for nonhuman tongues. In the end they emerge triumphant, though threatened with mind wipe if they ever interfere in fairy affairs again. Yeah, right. Human characters seem to be default white; “hybrid” is used to describe nonhuman characters of mixed heritage.
Like its bestselling progenitors, a nonstop spinoff afroth with high tech, spectacular magic, and silly business. (Fantasy. 11-13)Pub Date: Nov. 5, 2019
ISBN: 978-1-368-04375-5
Page Count: 368
Publisher: Disney-Hyperion
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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