Nerdy Victor is literally blasted out of his compulsively regimented ways when “Frank Benjamin,” waking from 200 years of suspended animation, moves into a nearby apartment. Being a human battery with electricity-conducting bolts embedded in his neck and veins filled with “harmonic fluid,” Ben—er, Frank—has a tendency to run amok when overcharged or devolve into a zombielike state when the juice runs low—conditions that the authors exploit to hilarious effect as they send young Victor scurrying across Philadelphia after his new neighbor and mentor, discovering a secret lab buried beneath their rundown building and rebuilding his elaborate but derivative science-fair volcano into an experimental one so massively destructive that even Victor is left impressed and proud. Frequent technical diagrams and actual patent drawings add a luster of Real Science to the antics, and 18th-century veneer is provided by Poor Richard's Almanack–style borders and display type. The balance struck between Victor’s methodical approach and Ben’s “we’ll have to trust our instincts, whack away at the problem, and hope for the best” attitude provide some food for thought, too. Expect sequels. (Sci-fantasy. 10-12)
Pub Date: Sept. 1, 2010
ISBN: 978-0-399-25229-7
Page Count: 224
Publisher: Putnam
Review Posted Online: June 28, 2010
Kirkus Reviews Issue: July 15, 2010
From McDonald (Tundra Mouse, 1997, etc.), a haunting, dramatic glimpse of the Bone Keeper, a trickster with special transformational powers. Some say Bone Woman is a ghost; some envision her with three heads that view past, present, and future simultaneously. Most, however, call her the “Skeleton Maker” or “Keeper of Bones.” Chanting, shaking, moaning, and wailing, the Bone Keeper is frenzied as she sorts bones; not until the end of the book are readers told, in murmuring lines of free verse, what the Bone Keeper is creating in her mysterious desert cave. Out of the darkness, a wolf springs to life, leaps from the cave, howling, a symbol of resurrection and proof of life’s cyclical nature. Also keeping readers guessing as to the Bone Keeper’s final creation are Karas’s paintings; they, too, require that the final piece of the puzzle be placed before all are understood. The coloring and textures embody the desert setting in the evening, showing the fearsome cave and sandy shadows that wait to release the mystery of the bones. (Picture book. 5-8)
Pub Date: March 1, 1999
ISBN: 0-7894-2559-9
Page Count: 30
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
Peddle debuts with a small, wordless epiphany that flows like an animated short. A low winter sun first lights a child building a snowman, then, after a gloriously starry night, returns to transform it—to melt it. Leaving most of each page untouched, Peddle assembles a minimum of accurately brushed pictorial elements for each scene: the builder; the snow figure; their lengthening shadows; the rising sun’s coruscating circle in the penultimate picture; a scatter of sticks, coal, and a carrot in the final one. Most children will still prefer The Snowy Day, but others may find layers of meaning beneath the story’s deceptive simplicity. (Picture book. 4-9)
Pub Date: Jan. 1, 2000
ISBN: 0-385-32693-9
Page Count: 28
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
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