ALLEGHENY FRONT

Name: ALLEGHENY FRONT
Author: Matthew Neill Null
ISBN: 978-1-941411-25-4

by Matthew Neill Null ‧ RELEASE DATE: May 10, 2016

Breece D’J Pancake gets all the literary press out of West Virginia, what there is of it. But he’s been dead nearly 40...

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Sometimes lyrical, sometimes scarifying stories by the up-and-coming author of Honey from the Lion (2015).

What happens to a body when it’s been dumped in the woods under a loose pile of leaves? Maybe you don’t want to know the details, and perhaps it’s enough to say, as Null does, that “the bears and the foxes broke him apart and scattered him far and near,” language tender and elegant enough to serve in a Scottish border ballad by way of Appalachia. Null does not let that suffice, though: the body of the poor traveling salesman who ventures unwisely into the hollers is more than broken up—gnawed by dogs, half-buried, and worse—outside the confines of the story, ironically titled “Something You Can’t Live Without,” forgotten but for one thing: its former occupant’s wise observation, not long before dying, that “an animal has just enough brains to cure its own hide.” Hmmm: cured indeed. Not all the stories in this small collection are bleak and violent, but those are the dominant moods, fitting the severe landscape. Within that setting of crags, foreboding forests, and onrushing creeks, Null finds poetry and moments that can sometimes bear something like grace: “The sky went from indigo to blackness, and he saw nothing ominous in it, nothing but cold stars wheeling in their course, a course determined by the same firm hand he hoped was guiding his own.” Whether logging, farming, or damming creeks, the people who inhabit these stories are also mostly at war with each other and certainly at war with the land, which repays them with all sorts of mayhem—but sometimes, as in the closing story, with a bit of dumb luck as well.

Breece D’J Pancake gets all the literary press out of West Virginia, what there is of it. But he’s been dead nearly 40 years, and it’s high time someone else did. Null is a natural writer with much to say.

Pub Date: May 10, 2016

ISBN: 978-1-941411-25-4

Page Count: 192

Publisher: Sarabande

Review Posted Online: Feb. 10, 2016

Kirkus Reviews Issue: March 1, 2016

Categories:

SHORT STORIES

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A PERMANENT MEMBER OF THE FAMILY

by Russell Banks ‧ RELEASE DATE: Nov. 12, 2013

Old-fashioned short fiction: honest, probing and moving.

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One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.

Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.

Old-fashioned short fiction: honest, probing and moving.

Pub Date: Nov. 12, 2013

ISBN: 978-0-06-185765-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: Aug. 31, 2013

Kirkus Reviews Issue: Sept. 15, 2013

Categories:

LITERARY FICTION | SHORT STORIES

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BEYOND THE GREAT SNOW MOUNTAINS

by Louis L’Amour ‧ RELEASE DATE: May 11, 1999

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Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.