Well-intentioned but indirect and clunky.
Anxiety hinders a child.
Olivia, a peach-skinned kid with a brown bob cut, narrates in a direct first-person voice. She lists the things she possesses—a bicycle, red shoes adorned with stars, a soft plush lion, and “vines.” The thorny vines, wrapping around her body, are a metaphor for anxiety. They are brought on by being late, going to the dentist, talking with strangers, anticipatory fear of adults’ anger, and sometimes “NOTHING AT ALL!” Despite Olivia’s helpful teacher, the vines are exhausting and prevent Olivia from moving freely, doing math, and jumping off the diving board at the pool. Although the characters’ facial expressions are crystal clear, the text never decodes the vines as representing anxiety. The prose, including Olivia’s introduction about her bike, shoes, and stuffed animal, may prompt young readers to think that physical vines are causing Olivia’s stress. Forced textual playfulness in the teacher’s nicknames for the students (“my little monkey in flip-flops” and “my little chocolate frog”) is jarring and inorganic. The illustrations bring nothing special and, bizarrely, include the stuffed lion in a group of people Olivia imagines mocking her. Moreover, vine-wrapped Olivia’s self-chosen label as “a big, spiky ball that no one wants to be near” will sting readers who have anxiety. Reach for Anthony Browne’s What If…? (2014) and Patrick McDonnell’s A Perfectly Messed-Up Story (2014) instead.
Well-intentioned but indirect and clunky. (activities) (Picture book. 4-7)Pub Date: Feb. 15, 2022
ISBN: 978-1-4598-3103-2
Page Count: 32
Publisher: Orca
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fresh take on an enduring theme.
When Irie tells her momma she hates her big poofy hair, her momma explains that everything about Irie was perfectly custom made.
Irie wants her hair to swing and bounce like the “pretty hair” that “everyone else” has. But Momma tells her that she didn’t make Irie to be like everyone else. “I made you to be you.” Momma explains that when she was expecting Irie, she talked to God and made special requests. Out of all the skin tones in the world, Momma chose her favorite for Irie. The same for her hair type, her sparkling eyes, her kissable nose, and her bright smile. Momma also chose a good heart for Irie, and when she was born, she was perfect, and as she grew, she was kind. When Momma tells her “you are all of my favorite things,” Irie runs to the mirror and sees herself with new eyes: a “most perfect me.” This sweet, imaginative tale highlights the importance of parental love in boosting children’s self-esteem and will be a touching read-aloud for families who have struggled with issues of fitting in. The story is a challenging one to illustrate; the full-color digital art is warm with soft shades of natural-looking color but struggles to create engaging scenes to accompany Momma’s explanation of her conversation with God. The multiple spreads showing Irie and Momma flying through the atmosphere among clouds, stars, and hearts become a bit monotonous and lack depth of expression. Characters are Black. (This book was reviewed digitally.)
A fresh take on an enduring theme. (Picture book. 4-7)Pub Date: May 3, 2022
ISBN: 978-0-593-42694-4
Page Count: 40
Publisher: Random House
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
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