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THE VIOLIN MAN

A first novel (for publisher as well as author) begins with a promising scenario: In the 1880's, a fictional Italian boy helps the real Luigi Tarisio find a lost Stradivarius. When the itinerant Luigi (whose vocation is discovering these missing treasures) arrives in the village, he's quickly befriended by young Antonio—who introduces Luigi to various neighbors and helps him figure out who might have the instrument, the marvelous tone of which still lingers in a local tale. Unfortunately, the textbook style here combines with stock characters who are prone to remarks like, ``I'm a poor widow...I have nothing but a sad heart.'' There are few details to lend a sense of place or of village life: Antonio's father complains about his daydreaming on page one, but we never discover what he might have been doing instead. ``Midday isn't the time to visit someone''—but why not? The language is clichÇd and sometimes careless: what color is ``tarnished gold''? This harmless mystery does introduce some historical facts; but it's oversimplistic, and Hooper fails to realize its unusual setting. (Fiction. 8-12)

Pub Date: Oct. 1, 1991

ISBN: 1-878093-79-7

Page Count: 70

Publisher: Boyds Mills

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1991

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MONSTER MATH

Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)

Pub Date: Aug. 1, 1999

ISBN: 0-15-201835-2

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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QUACK AND COUNT

Baker (Big Fat Hen, 1994, etc.) engages in more number play, posing ducklings in every combination of groups, e.g., “Splashing as they leap and dive/7 ducklings, 2 plus 5.” Using a great array of streaked and dappled papers, Baker creates a series of leafy collage scenes for the noisy, exuberant ducklings to fill, tucking in an occasional ladybug or other small creature for sharp-eyed pre-readers to spot. Children will regretfully wave goodbye as the ducks fly off in neat formation at the end of this brief, painless introduction to several basic math concepts. (Picture book. 4-6)

Pub Date: Aug. 1, 1999

ISBN: 0-15-292858-8

Page Count: 24

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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